In presenting this long overdue Melbourne premiere season of Parsifal, Victorian Opera gives Wagner’s final opera an intelligently conceived, splendidly-performed production.
As a first-timer at a Wagner opera (is this ‘losing my Waginity?) I wondered what was the thread that binds his audiences in such strong defence of his work, and whether I’d feel any different afterwards. The first thing to note is how expert this particular Coliseum audience was at going to the theatre. Sociable […]
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