Screening Alan Bennett’s Allelujah! on the big screen may well alter the viewer’s perspective, placing it within the tradition of television and film drama that lends itself to the cliffhanger-based six-part series that Bennett’s broad and episodic approach calls upon.
In some ways, Allelujah! is perfectly symptomatic of the problem I have with the Bridge Theatre. Does London really need any new theatres, no matter how much people think they want interval madeleines?
Alan Bennett has perhaps by chance hit two topical news hot-potatoes – barely a week old – even while deliberately tackling more obvious fave targets like NHS cuts and the Thatcher legacy.