A trio of festive album reviews with If The Fates Allow: A Hadestown Holiday Album, Leslie Odom Jr – The Christmas Album and Michael Ball and Alfie Boe – Together at Christmas.
Sam Mendes’ Olivier Award-winning production of Jez Butterworth’s The Ferryman received equal top billing at this week’s Tony Awards 2019 nominations announcement alongside the hit Broadway production of To Kill a Mockingbird. The productions both have nine nods including ones for Ferryman actors Paddy Considine (Best Performance by an Actor in a Leading Role in a Play), Fionnula Flanagan and Laura Donnelly. The …
Anaïs Mitchell has instigated something special, and I hope, and expect, Hadestown to evolve further throughout the years, as each new version creates its own musical and mythological traditions.
Singer-songwriter Anaïs Mitchell’s ‘folk opera’, Hadestown, is based on the Orpheus and Eurydice myth, the ultimate ancient story about music.
Hadestown’s journey onto the stage of the National Theatre – and, indeed, its upcoming transfer to Broadway – has been as tortuous and precarious as the story it tells.
I try out the new smart caption glasses while watching Hadestown at the National Theatre and am blown away both by the show and the frankly amazing technology.
Running at the National Theatre prior to a Broadway opening, Hadestown offers a uniquely folksy and enchanting take on the tragic tale of Orpheus and his love, Euridice.
Bluesy, folky, beautifully paced and musically satisfying, Hadestown is a treat: touching without sentimentality and with enough topical bite to startle without hammering the point.
Now the National Theatre has a vibrant production of the musical Hadestown which premiered at the New York Theatre Workshop in 2016.
The National Theatre has announced that Amber Gray and Patrick Page will reprise their original New York Theatre Workshop roles of Persephone and Hades in Hadestown, running in rep at the Olivier Theatre from 2 November 2018 to 26 January 2019 (press night is 13 November).