The Old Vic has announced its Back Together season, the seventh from artistic director Matthew Warchus, which will run from July 2021 to July 2022 and combines both streamed and live shows.
A Scrooge to remember, A Christmas Carol at the Bridge Theatre is a 90-minute familiar Victoriana for today, catching and passing on both Dickens’ fury and his unquenchable jollity.
Filled with a real love of Dickens’ words as well as his characters the Bridge Theatre has found a fresh and exciting way to tell the familiar tale of A Christmas Carol and give Scrooge’s redemption arc a renewed emphasis.
15 Heroines is an impressive and energised reworking of Greek myth that leaves the audience keen to find out more about each of these women and their remarkable lives.
Being a woman in Greek Mythology isn’t easy and for the most part they sit on the sidelines, forgotten sideshows to what are predominantly male narratives of war, conquest and feats of daring. Where women do feature, they are mere prizes to be won,…
Reinterpreting the women of Greek mythology for today, the theatrical enterprise of 15 Heroines is a major achievement and a highlight of the year, digital or otherwise.
Simon Russell Beale, Patsy Ferran and Eben Figueiredo will play all the parts and share the storytelling in a new version of Charles Dickens’ A Christmas Carol, directed and devised by Nicholas Hytner at London’s Bridge Theatre.
While there might not be quite as many meaty stage roles for actresses as there are actors (is that changing?), the plethora of acting talent I’ve seen over the past 10 years made this quite tricky to narrow down.
Rebecca Frecknall’s rich production of Three Sisters takes place in a bubble of unreality, both alluring and doomed to burst.
The achievement of Rebecca Frecknall’s new production, as with her recent mega success with Tennessee Williams’ Summer and Smoke is to speak to modern sensitivities with a clarity of vision that struck this viewer anyway as turning Three Sisters into a young person’s rite of passage.
Chekhov classic from the team behind the West End hit Summer and Smoke is too middle of the road
The post Three Sisters, Almeida Theatre appeared first on Aleks Sierz.
After the interval, The Three Sisters, mercifully, in mood and pace, could be a different play. I left happy enough. But goodness, the first scenes badly need more vigour. And a trim.
It is a vibrant and meaningful interpretation of Chekhov’s Three Sisters that reaps rewards. Keep on an eye on this new theatre partnership, it could be around for many years to come.
Come From Away, Company and The Inheritance led the way with four awards each at the Olivier Awards 2019 with Mastercard, announced at a ceremony tonight (Sunday 7 April) at London’s Royal Albert Hall, hosted by Jason Manford.
Musicals Company and Come From Away top the Olivier Awards 2019 nominations with nine nods each, while The Inheritance is the most recognised play with eight nominations. The ceremony takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
Following Rebecca Frecknall and Patsy Ferran’s Critics’ Circle Award-winning collaboration on Summer & Smoke at the Almeida Theatre, the director and actress will join forces on Anton Chekhov’s Three Sisters in a new adaptation by Cordelia Lynn (8 April to 1 June 2019, press night is 16 April), for which full casting is announced today.
Matthew Lopez’s epic two-part drama The Inheritance was the big winner at the 2018 Critics’ Circle Theatre Awards held today at the Prince of Wales Theatre in London’s West End, hosted by Critics’ Circle Drama Section chairman Mark Shenton.
Mind the Blog rounds up her favourite female performances in the theatre during 2018.
Normally I do two of these – Top Ten Shows and Top Ten Performances – but this year I’m combining the two – plus some sundry other awards.
Rebecca Frecknall’s production of Summer & Smoke with its chorus of pianos fits as snugly into the Duke of York’s as it must have done at the Almeida.
Summer and Smoke had a successful run at the Almeida theatre earlier in the year. The reviews at the time were ecstatic but tickets were impossible to get, so it was great news to hear that it had been given a West End transfer.