Written skilfully by Katherine Parkinson, Sitting thankfully mixes up the monologue format a little to provoke interest and show that there’s life in the formula yet.
Having been away from her desk, Libby Purves catches up with a trio of openings: Copenhagen at the Minerva Theatre, Sweet Charity at Newbury’s Watermill & Little Voice at the Park Theatre.
I was as baffled as anyone to explain why I was on the edge of my seat and engrossed by the inner workings of quantum engineering, astrophysics and nuclear fission as explained in Michael Frayn’s Copenhagen at Chichester Festival Theatre.
The frenzy of John Christie, founder-owner of Glyndebourne’s opera house – a tubby, determined man with a yearning for sublimity –receives, in this lovely play The Moderate Soprano, the respect that it should.
Coriolanus may not be the most frequently staged of Shakespeare’s political Roman dramas although it nearly always gets included when a series of them are run together as here with the latest RSC season, under the banner title of Rome MMXVII.
David Hare’s charming new play is a very English account of a very English institution – Glyndebourne. The Moderate Soprano tells the story of John Christie, an eccentric English businessman who in the 1930s decided to build an opera house next to his house and garden in Sussex, thus creating Glyndebourne. But he didn’t do it alone.
Hampstead Theatre is delighted to announce an outstanding cast for David Hare’s fascinating new play. Joining Roger Allam, who plays John Christie, are Nancy Carroll as Audrey Mildmay, Paul Jesson as Dr Fritz Busch, Nick Sampson as Professor Carl Ebertand George Taylor as Rudolf Bing. Acclaimed writer David Hare returns to Hampstead following The Judas Kiss which transferred to the …