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NEWS: Imogen Stubbs, Henry Goodman & Katie Brayben star in Joanna Murray-Smith’s Honour at Park Theatre

In Awards, London theatre, Native, News, Plays, Quotes, Ticket recommendations by Press ReleasesLeave a Comment

Acclaimed performers Henry Goodman, Imogen Stubbs, Katie Brayben and Natalie Simpson will star in Joanna Murray-Smith’s compelling drama Honour. The hit play about a marriage in crisis is revived at London’s Park Theatre from 25 October to 24 November 2018 (press night is 30 October). With a cast like that, it’s time to get booking!

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NEWS: Les Dennis plays End of Pier in new Park Theatre season of seven premieres

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London’s Park Theatre today announce their new July-December 2018 season. Featuring a mix of new and existing writing, the season includes six world premieres, one UK premiere, three celebrated revivals and a brace of homegrown productions, two of which have been developed through Park Theatre’s Script Accelerator programme.

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PROMISES, PROMISES – Southwark Playhouse

In London theatre, Musicals, Opinion, Reviews by Ian FosterLeave a Comment

On the face of it, you could see why reviving Promises, Promises would be an appealing prospect – written by Neil Simon from a Billy Wilder film and featuring a score by Burt Bacharach and Hal David. But digging even just a little deeper – a running time of nearly 3 hours and an antiquated set of gender politics made it a tough one to watch, and an even tougher one to excuse in today’s society.

PROMISES, PROMISES – Southwark Playhouse

In London theatre, Musicals, Opinion, Reviews by Ian FosterLeave a Comment

On the face of it, you could see why reviving Promises, Promises would be an appealing prospect – written by Neil Simon from a Billy Wilder film and featuring a score by Burt Bacharach and Hal David. But digging even just a little deeper – a running time of nearly 3 hours and an antiquated set of gender politics made it a tough one to watch, and an even tougher one to excuse in today’s society.

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MY MOTHER SAID I NEVER SHOULD – St James Theatre

In London theatre, Opinion, Plays, Reviews by Johnny FoxLeave a Comment

This is a return to grand form for Lipman whose natural comic timing is best deployed undercutting the more strident statements and hinting at the unvoiced disappointments of marital life. She still needs a director brave enough to tell her that Manchester isn’t in the East Riding of Yorkshire and to drag her accent from native Hull to the other end of the M62, but it’s a finely detailed performance across a swathe of the century from tutoring piano lessons as a tetchy wartime martinet to the abandon of popping off her pop socks in an eighties Oldham garden.