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Peter Imms

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‘An important hour of theatre that moves, amuses & informs’: SECTION 2 – Bunker Theatre ★★★★★

In London theatre, Opinion, Plays, Reviews by Debbie Gilpin25th June 2018Leave a Comment

An important hour of theatre that moves, amuses & informs in equal measure – exquisitely written and brilliantly performed.

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‘An important & timely piece of theatre’: SECTION 2 – Bunker Theatre

In London theatre, Opinion, Plays, Reviews by Liz Dyer17th June 2018Leave a Comment

Section 2 is an important and timely piece of theatre, raising awareness of the far-reaching impact of mental illness, and sectioning in particular. More than that though, it’s a play about friendship and human relationships.

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‘It holds a mirror up to society’: Paper Creatures Theatre brings Section 2 to the Bunker Theatre

In Features, Interviews, London theatre, Plays by Debbie Gilpin7th June 2018Leave a Comment

In a week’s time, Paper Creatures Theatre will take to the stage as part of The Bunker’s latest venture: Breaking Out with Peter Imms’ Section 2.

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INTERVIEW: Section 2’s Alex Da Silva & Esmé Patey-Ford

In Features, Interviews, London theatre, Plays by Debbie Gilpin18th May 2018Leave a Comment

It’s now just under a month to go until the Breaking Out season begins at The Bunker Theatre, so I took the opportunity to chat to Alex Da Silva (Kay) and Esmé Patey-Ford (Rachel) who will be appearing in Paper Creatures’ Section 2.

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INTERVIEW: Playwright Peter Imms discusses new play Section 2 at the Bunker Theatre

In Features, Interviews, London theatre, Plays by Liz Dyer19th April 2018Leave a Comment

Section 2 is a new play by London-based playwright Peter Imms which addresses the sensitive subject of mental health. It’s been developed in collaboration with emerging theatre company Paper Creatures.

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‘Everyone’s going through something’: Interview with Paper Creatures about new play Section 2

In Features, Festivals, Interviews, London theatre, Opinion, Plays, Reviews by Debbie Gilpin14th April 2018Leave a Comment

“You worry (especially with fringe theatre): are you going to put bums on seats? Is it going to be able to portray the message you want? Will the audience get much out of it?”

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