Sixteen weeks ago the National Theatre At Home season was launched and this week the final show began its one week run. In Amadeus they may just have saved the best until last.
Ned Bennett’s thrillingly engaging production of Peter Shaffer’s play grabs the audience’s attention and imagination brilliantly.
Ned Bennett’s direction is another star of the show; the relationship between Ira Mandela Siobhan as Nugget, a Chestnut horse who has a close relationship with Strang, is stunning.
How many different ways can one play be interpreted? The company of Equus were very keen not to impose their opinions but the audience at last night’s post-show Q&A at Trafalgar Studios had plenty of their own. Which were right? All of them! And what a knowledgeable audience it was. Many had seen this or other previous […]
Touching on themes of religion, sexuality and more than one form of mental illness, the play asks some difficult questions and frequently makes for unsettling viewing, and yet Ned Bennett’s production remains utterly compelling from start to dramatic finish.
Equus remains a fascinating, if dated, piece of writing from Peter Schaffer, exploring the psycho-sexual complexities of the adolescent Alan Strang, a boy who has just, horrifically, blinded six horses.
Ned Bennett has created an entirely compelling evening, which reveals new layers to Peter Shaffer’s play Equus that we can now only see because we have changed as a society since it was first performed – a sure sign of a classic.
Ned Bennett’s production of Equus for the English Touring Theatre and Theatre Royal Stratford East has transferred to the Trafalgar Studios – but what do critics think of it?
Equus is an intriguing play, part psychological thriller, part mirror to the human condition and this is an almost thoroughbred production.
As part of her ongoing post-show Q&A series, on Tuesday 23 July 2019, Mates co-founder Terri Paddock is at the West End’s Trafalgar Studios for the acclaimed new production of Peter Shaffer classic Equus, transferred from the Theatre Royal Stratford East. Got any questions?
Award-winning director Ned Bennett’s bold revival of Peter Shaffer’s iconic psychological thriller Equus is transferring to the West End this summer. Following its successful run, the English Touring Theatre and Theatre Royal Stratford East production will open at London’s Trafalgar Studios on 6 July 2019 for a strictly limited season until 7 September.
Arousing and disturbing in equal measures, English Touring Theatre’s production of Equus stirs the senses as much as engages the brain.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
This is a brilliant revival of the 1970s classic Equus, about pagan worship and repressed sexuality, which buzzes with an imaginative physicality.
This is a marvellous production of Equus at Theatre Royal Stratford East, a play that could easily come across dated. Ned Bennett once again excels at peeling back the layers of deeply troubled characters.
Terrific revival of largely forgotten playwright James Saunders’ 1977 modern classic in an energetic and thrilling production.
Artistic director of Theatre Royal Stratford East, Nadia Fall, has today announced her inaugural season, beginning this September.
There is so much to admire in this revival that it’s hard to know where to start first. Let’s go with Lucian Msamati. I maintain that he was cruelly robbed of at least acknowledgement and nomination in the various end-of-year award shows.
That this is Michael Longhurst’s debut in this theatre makes it all the more impressive and I wouldn’t be surprised if his name doesn’t soon become one of the ones bandied around the round of musical chairs that is London artistic directorships.
So why doesn’t the current production of Lettice and Lovage at the Menier Chocolate Factory push my buttons? I fear it suffers from Forty Years On Syndrome – a circumstance whereby even with what seems like dream casting of Richard Wilson as an irascible headmaster, Alan Bennett’s masterly first play comes up lifeless and irrelevant at Chichester.
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