Sonia Friedman Productions has announced that Ian Rickson’s highly-acclaimed production of Conor McPherson’s new adaptation of Uncle Vanya, forced to close in March when the West End went into lockdown, has been filmed on stage at the Harold Pinter Theatre in partnership with Angelica Films.
‘A triumphant tragicomedy’: UNCLE VANYA – West End
Conor McPherson’s adaptation of Uncle Vanya featuring Toby Jones and Richard Armitage at the Harold Pinter Theatre is so good you can forgive the “wanging on”.
‘A thing of pure beauty but fails to stir the heart’: ROSMERSHOLM – West End
Neil Austin’s lighting design in Rosmersholm at the Duke of York’s Theatre is a thing of beauty and Hayley Atwell is excellent but Ibsen is still Ibsen…
NEWS: Further casting for Ian Rickson’s West End production of Rosmersholm includes Giles Terera & Lucy Briers
Giles Terera, Lucy Briers, Jake Fairbrother and Peter Wight have been cast alongside Tom Burke and Hayley Atwell in Henrik Ibsen’s Rosmersholm, adapted by Duncan Macmillan and directed by Ian Rickson, playing at the Duke of York’s Theatre from 24 April to 20 July 2019.
‘A masterpiece in character study’: THE BIRTHDAY PARTY – West End
But this starry revival of The Birthday Party which has just opened at – where else? – the Harold Pinter Theatre – is immensely enjoyable – even if you occasionally lose the plot.
‘Pinter’s most canonical drama still works’: THE BIRTHDAY PARTY – West End
With its episode of a game of blind man’s bluff being both very funny and rather horrible, this is a Birthday Party for a generation brought up on The League of Gentlemen.
HAMLET – Harold Pinter Theatre
Andrew Scott’s interpretation of the Prince of Denmark is stylish, relevant and completely contemporary.
HAMLET – West End
The scale of the intimate family drama that Robert Icke has fashioned from Shakespeare’s ever-present tragedy amplifies effectively, and Andrew Scott’s deeply conversational style still resonates strongly.
HAMLET – West End
Andrew Scott’s take on Hamlet, in Robert Icke’s Almeida production that has just transferred to the West End, is a testament to the versatility of Shakespeare’s prose. With Benedict Cumberbatch, TV’s Sherlock, having been London’s last celebrity Hamlet, Scott’s (who played Sherlock’s nemesis Moriarty) take on the role offers us a striking glimpse into the breadth of interpretation and intrigue that is offered by the Prince of Denmark.
HAMLET – Almeida Theatre
This production will doubtless have its detractors – it’s not spoken precisely enough, it doesn’t smell of war enough, there are too many watches – but for me, it is as exciting and engaging as Hamlet gets. The best I’ve witnessed out of the 15 I’ve watched.