New London-based physical theatre company Pan!c Drama brings its debut production Dogs on a Highway to Drayton Arms Theatre for two performances only later this week. Be quick to book tickets!
“Uplifting” and “small in stature but big in heart” – see what reviewers have said about Theatrical Niche’s pacey, new version of Chekhov’s Uncle Vanya. Take a look at what they said, then book your tickets.
Take a peek at Theatrical Niche’s new, environmentally engaged version of Chekhov’s Uncle Vanya, which comes to London next week. Explore the gallery, then book your tickets.
How does the working of a beehive related to Chekhov’s masterpiece Uncle Vanya? Venetia Twigg, who adapted the play for Theatrical Niche, gets busy, telling us about it. Read he interview then book your tickets.
What can we expect from Theatrical Niche’s new version of Chekhov’s Uncle Vanya? There may be some clues in these images straight from the rehearsal room. Take a look, then book your tickets.
A new physical theatre adaptation of Anton Chekhov’s Uncle Vanya, which has been touring England and Northern Ireland this autumn, arrives in London for two weeks later this month, playing in both the north and the south of the capital. Book your tickets now.
they have made a noticeable effort to share the experiences of many, to both hilarious and humbling effect in word, movement and dance.
The work of Tmesis has always examined the stuff of life with style, precision, humour and heart, and the company’s latest show Beyond Belief is no exception.
One of Liverpool’s widest-reaching and most creative theatre companies, physical theatre specialists Tmesis, is returning with its latest show Beyond Belief.
Ten years ago, physical theatre performer Tania Coke performed her first solo show at London’s Cockpit Theatre as part of its Theatre in the Pound programme. Now, after eight years abroad, she returns with her Tokyo-based physical theatre company tarinainanika, and the Camden Fringe debut of their mesmerising show Tokyo Fugue, which runs 23 to 26 August 2018. Watch the hypnotic trailer and gen up below – and then get booking!
The poetic, comical and sometimes unsettling Tokyo Fugue makes its Camden Fringe debut 23 to 26 August 2018 at the Cockpit Theatre. Take a look at these mesmerising production photos and brand new digital art trailer – and then book those tickets!
Tokyo-based physical theatre company tarinainanika are preparing for their Camden Fringe debut of Tokyo Fugue, a mesmerising piece of physical theatre about feeling lost, set in the maze-like train system of Tokyo. We spoke to artistic director Tania Coke about the dangers of drowning out the voices of our bodies and how corporeal mime can help – plus Japan vs England, escaping management consultancy and returning to where it all started, the Cockpit theatre!
This intimate, personal production from Theatre Ad Infinitum is an accurate and emotionally charged snapshot of the pervasive conflict between capitalism and the desire for a family.
This lively revival of Steven Berkoff’s 1975 modern classic is energetically sweaty, if a bit messy as well.
It doesn’t need to be as long as it is, but The Tin Drum is a lot of fun and a dark, prescient reminder that fascism lurks around the corner of Christmas this year.
The Tradition versus Progress conflict sits along side the moral question of whether or not we should be perpetuating these attitudes in young children – who don’t know enough to see these problems – by continuing to tell these stories.
Combining their woman-led, political ethos with the use of live music, RashDash reclaims femininity and appropriates the traditionally patriarchal adventure of fairytales in this spirited show for all ages.
What extraordinary actors the Russians produce and what a revelation is this newly filmed version by Moscow’s Satirikon Theatre uncomfortable, disturbing, unsettling though it also is.
Sami and his mum are preparing for her to go to Mars for years and years and years. Both obsessed with space, Sami’s proud of her but worried that he might never see her again.
Co-directors Frauke Requardt and David Rosenberg have created a piece of theatre which might be the closest I have ever felt to being in a dream whilst awake and not under the influence of psychoactive drugs.