The great thing about Lucy Bailey’s 80-minute production of Oleanna is its sense of balance. And I have to say that it changed my mind about the power balance in the drama.
2 BECOME 1 – King’s Head
Have you ever had a night in with the girls and found yourself singing along to Britney into your hairbrush and dancing on the sofa, pretending to be a girl group from the ’90s? Don’t lie, we all have.
2 BECOME 1 – King’s Head
Have you ever had a night in with the girls and found yourself singing along to Britney into your hairbrush and dancing on the sofa, pretending to be a girl group from the ’90s? Don’t lie, we all have.
WILD – Hampstead Theatre
Mike Bartlett’s latest, inspired by the Edward Snowden affair, relies on a coup de theatre to get out of a stalled plot.
How can we work together for the future of circus arts?
The second week of Bristol’s Circus City Festival has been characterised by lots of opportunities to get together and talk over pressing issues in the sector in a facilitated manner. The ‘biggie’ is the Open Space forum, presented by Circus Futures and run by Devoted&Disgruntled, who have been rallying the UK theatre community in this manner since 2005.