Shane Richie follows in the footsteps of Pete Postlethwaite, taking on Justin Butcher’s one-man play Scaramouche Jones or the Seven White Masks for Ginger Quiff Media and Stream.Theatre.
Platform 4’s Invisible Music presents a beautiful and thought-provoking soundscape that is a wonderful manifestation of creativity in this period of isolation.
Nigel Slater’s Toast is a top quality production full of heartwarming moments and alimentary temptations – grab yourself a Walnut Whip and make yourself comfy.
JOAN follows the young titular character as she strives to make her mark on the world and change it for the better.
Reading that the Globe may struggle to come back from this current crisis without the help of donations and emergency funding didn’t seem quite real.
Wasted is about the Bronte siblings from childhood to death, as they attempt to follow their artistic – and romantic – ambitions.
I posed some questions to The Show Must Go Online returnees Luke Barton, Kristin Atherton, David Johnson and Lucy Aarden about their experiences with this weekly lockdown hit.
Last week was Shakespeare’s birthday, so The Show Must Go Online went all out with their latest production, holding a Titus Andronicus party in the Bard’s honour.
It feels slightly odd that my final show before the curtains came down wasn’t a play or musical – instead, it was a dance show.
The tragedy’s shades of light are teased out and played with, and much of this owes itself to Michelle Terry’s Hamlet.
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.