Eoin McAndrew’s script for The Girl Who Was Very Good at Lying at the Edinburgh Festival Fringe is borderline cruel in that Rooney is required to deliver the frenzied prose in only an hour. But it is watertight. Hysterical in tone, speed, and funniness, and Fay Lomas’ direction ensures the writing is done justice. The Girl Who Was Very Good at Lying is slick, moving, and an absolute gem of the Fringe.
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and language. And nowhere is this more true that in Northern Ireland.