In a mere 90 minutes On Bear Ridge creates a theatrical metaphor of unforgettable power and impact.
On BearRidge, the first Ed Thomas play for 15 years, is a post-apocalyptic metaphor-fest which is tragic, lyrical and funny too.
The densely poetic On Bear Ridge offers a thoughtful experience at the Royal Court, with Rhys Ifans and Rakie Ayola on fine form.
A surreal, existential tragi-comedy, On Bear Ridge is at times tense, laugh out loud funny and heart-wrenchingly sad.
This apt revival of Caryl Phillips’ first play, Strange Fruit, stirred up a maelstrom of memories for me, a second generation Caribbean immigrant, growing up in a city on the south coast of 1970s/1980s England.
Caryl Phillips’ 1980 Windrush classic Strange Fruit is a bit too masculinist and verbose, and poorly staged.
Strange Fruit is an exposing and painful play but it feels like it distracts itself from its otherwise powerful key theme.
Poetic two-hander The Half God of Rainfall combines epic myth, family relationships and gender politics in an exciting evening.
In the same way that the Marvel Universe mixes superpowers with mortal flaws, the scope of The Half God of Rainfall stretches to another galaxy but all the time remains profoundly human.
Actress Rakie Ayola chatted to us about her current role in The Half God of Rainfall at the Kiln Theatre.
The third West End cast of Harry Potter and the Cursed Child will start their performances at the Palace Theatre in London on 23 May 2018 following the final performance from the current ensemble on 20 May 2018.
Ahead of the new cast’s first performance at London’s Palace Theatre on Wednesday (24 May 2017), the producers of Harry Potter and the Cursed Child have released a first-look set of portraits by Charlie Gray.
There is a heartbreaking majesty to this Talawa Theatre production and in this anniversary year of Shakespeare’s death, and with more Lears on the way, Don Warrington sets the bar very high. His Lear is every inch a King.
Talawa Theatre Company has been making theatre since 1986 and to mark their 30th anniversary year, and to commemorate 400 years since Shakespeare’s death artistic director Michael Buffong returns to the play he first directed in 1994, King Lear. In this co-production between Talawa Theatre, Manchester’s Royal Exchange and Birmingham Rep, Don Warrington steps into the royal breaches and takes on the title role.