Theatre Royal Bath Productions and Royal & Derngate, Northampton have announcd that Ralph Fiennes’ world premiere stage adaptation of T.S. Eliot’s Four Quartets will transfer to London’s Harold Pinter Theatre for 36 performances only from 18 November to 18 December 2021.
This weekly column keeps track of the shows that are coming back, or are newly being announced, as theatres prepare to re-open from next month onwards. It will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
Meanwhile, I want to start keeping track of the shows that are coming back, or are newly being announced, in a new feature here that will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
Ralph Fiennes will create a brand-new stage adaptation of T.S. Eliot’s Four Quartets this summer. Announced this week as Britain marks a year since regional theatres were forced to close, this world premiere production will welcome audiences back to live theatre when it reopens the Theatre Royal Bath from 25 May to 5 June, and launches Royal & Derngate’s Made in Northampton season in the venue’s Royal auditorium from 8 to 12 June in a co-production between both venues.
Additional performances have gone on sale for David Hare’s Beat the Devil and Inua Ellams’ and Fuel’s production of An Evening with an Immigrant, the one-person plays at London’s Bridge Theatre now extended until 7 November 2020.
Covid-19 must have its say to start with, so off goes the season with Ralph Fiennes directed by Nicholas Hytner and delivering Beat The Devil, a monologue by David Hare.
Emma Clarendon rounds up the reviews for David Hare’s new monologue Beat the Devil, performed by Ralph Fiennes at the Bridge Theatre.
The first short play is Beat the Devil in which David Hare stakes first claim to what will surely be a new genre or at least a familiar theme in the coming months – the Covid monologue.
David Hare gets in first with his Coronavirus monologue Beat The Devil at the Bridge Theatre, evocatively performed by Ralph Fiennes.
London Theatre Company has announced its repertoire plans to reopen the Bridge Theatre during September and October 2020, “assuming that the Government gives the go ahead for indoor performances with socially distanced audiences”.
I’ve always found Antony and Cleopatra a bit of a slog. There, I’ve said it. Too many scenes which flit about all over the place, too many minor inconsequential characters, deaths which seem interminable.
After the popularity of its lockdown streamings of One Man, Two Guvnors, Jane Eyre, Treasure Island and tonight’s Twelfth Night to coincide with Shakespeare’s Birthday (23 April 2020), the National Theatre has announced its next two At Home titles: Danny Boyle’s 2011 monster hit Frankenstein and Simon Godwin’s production of Shakespeare’s Antony & Cleopatra.
The winners of the 64th Evening Standard Theatre Awards have been announced, with double wins for the National Theatre’s Antony & Cleopatra and the West End productions of Company and Hamilton.
The shortlist for the 64th Evening Standard Theatre Awards has been unveiled. The winners will be announced on Sunday 18 November at the Theatre Royal, Drury Lane.
Antony & Cleopatra, clocking in at three hours and 30 minutes, is a tale of two halves (you really do only get one interval).
Sophie Okonedo and Ralph Fiennes star in Simon Godwin’s production of Antony & Cleopatra at the National Theatre. Love London Love Culture rounds up the reviews…
There is really very little to fault in this Antony and Cleopatra. It is lush, epic and a piece of sheer class. Better than that, it’s that rare theatrical beast: a god production in the Olivier.
News, reviews, interviews and farewells of the week in London, New York and the regions, including social media influencers, Pinter in the West End and more.
Or Cleopatra and Antony as it turns out. Ralph Fiennes is plenty good in Simon Godwin’s modern-dress production of Antony & Cleopatra for the National Theatre, but Sophie Okonedo is sit-up, shut-up, stand-up amazing.
At three and a half hours all in Antony and Cleopatra is a long haul, but with Fiennes and Okonedo making Shakespeare’s verse sing, there are moments here to be savoured.