Additional performances have gone on sale for David Hare’s Beat the Devil and Inua Ellams’ and Fuel’s production of An Evening with an Immigrant, the one-person plays at London’s Bridge Theatre now extended until 7 November 2020.
Covid-19 must have its say to start with, so off goes the season with Ralph Fiennes directed by Nicholas Hytner and delivering Beat The Devil, a monologue by David Hare.
Emma Clarendon rounds up the reviews for David Hare’s new monologue Beat the Devil, performed by Ralph Fiennes at the Bridge Theatre.
The first short play is Beat the Devil in which David Hare stakes first claim to what will surely be a new genre or at least a familiar theme in the coming months – the Covid monologue.
David Hare gets in first with his Coronavirus monologue Beat The Devil at the Bridge Theatre, evocatively performed by Ralph Fiennes.
London Theatre Company has announced its repertoire plans to reopen the Bridge Theatre during September and October 2020, “assuming that the Government gives the go ahead for indoor performances with socially distanced audiences”.
I’ve always found Antony and Cleopatra a bit of a slog. There, I’ve said it. Too many scenes which flit about all over the place, too many minor inconsequential characters, deaths which seem interminable.
After the popularity of its lockdown streamings of One Man, Two Guvnors, Jane Eyre, Treasure Island and tonight’s Twelfth Night to coincide with Shakespeare’s Birthday (23 April 2020), the National Theatre has announced its next two At Home titles: Danny Boyle’s 2011 monster hit Frankenstein and Simon Godwin’s production of Shakespeare’s Antony & Cleopatra.
The winners of the 64th Evening Standard Theatre Awards have been announced, with double wins for the National Theatre’s Antony & Cleopatra and the West End productions of Company and Hamilton.
The shortlist for the 64th Evening Standard Theatre Awards has been unveiled. The winners will be announced on Sunday 18 November at the Theatre Royal, Drury Lane.
Antony & Cleopatra, clocking in at three hours and 30 minutes, is a tale of two halves (you really do only get one interval).
Sophie Okonedo and Ralph Fiennes star in Simon Godwin’s production of Antony & Cleopatra at the National Theatre. Love London Love Culture rounds up the reviews…
There is really very little to fault in this Antony and Cleopatra. It is lush, epic and a piece of sheer class. Better than that, it’s that rare theatrical beast: a god production in the Olivier.
News, reviews, interviews and farewells of the week in London, New York and the regions, including social media influencers, Pinter in the West End and more.
Or Cleopatra and Antony as it turns out. Ralph Fiennes is plenty good in Simon Godwin’s modern-dress production of Antony & Cleopatra for the National Theatre, but Sophie Okonedo is sit-up, shut-up, stand-up amazing.
At three and a half hours all in Antony and Cleopatra is a long haul, but with Fiennes and Okonedo making Shakespeare’s verse sing, there are moments here to be savoured.
After a genuinely exhilarating Julius Caesar at the Bridge Theatre a few months ago, Shakespeare’s subsequent tale Antony and Cleopatra has arrived at the National starring Ralph Fiennes and Sophie Okonedo.
Antony & Cleopatra can be a bit of an ordeal. The last RSC one was. So I am happy to say that this time, and in the trickily vast Olivier, director Simon Godwin has absolutely pulled it off .
Details have been announced for the National Theatre’s season running from July 2018 to January 2019. Highlights include Peter Brook returning to direct at the NT for the first time in 50 years with The Prisoner, plus new plays from Nina Raine and Anthony Neilson.
National Theatre artistic director Rufus Norris announced the flagship institution’s 2018 plans at a press conference held today. Here are details of programming in the three auditoria at the NT’s South Bank home.
- Page 1 of 2