In my round-up of theatre in 2017, I warned 2018 that it had “big shoes to fill”. Not only did 2018 not need the door to be opened, but it also didn’t even need anyone to hold its coat.
Leaving the Royal Court after watching Ellie Kendrick’s new play Hole, I overhear another audience member describe feeling like she has just been “hit over the head with a sledgehammer”. It’s a pretty apt description.
Hole, a short new play from actor Ellie Kendrick is full of ferocity but is not strong on originality or nuance.
RashDash’s female-centred, millennial take on Chekhov’s story of three women trapped in the Russian countryside pining for their old lives in Moscow is a gloriously irreverent and refreshing interpretation.
An ode to the zeitgeist, and a reminder of our roots, Three Sisters encapsulates everything theatre should be and should do in this day and age. Thank the goddesses these women have made a platform for their voice.
Combining their woman-led, political ethos with the use of live music, RashDash reclaims femininity and appropriates the traditionally patriarchal adventure of fairytales in this spirited show for all ages.
PORN AND PHYSICALITY We’re all on the same page here, right? Online pornography is increasingly violent, graphically displaying real, abusive sexual acts devoid of tenderness. Rapist sex is perversely extreme, anatomically damaging and profoundly corrupting to the angry, the lonely, … Continue reading →