Death Of England: Delroy is by Clint Dyer and Roy Williams and is a response to their own earlier play, simply called Death Of England which played at the National Theatre before Covid hoved into our lives.
‘Offers humour, emotion & political impact’: FIBRES – Stellar Quines & Citizens Theatre (Online theatre) ★★★★
Fibres, the online filmed version of the 2019 Citizens and Stellar Quines co-production, offers humour, emotion and political impact.
‘Joseph Potter is more than a match for this quick-fire writing’: THE POLTERGEIST – Southwark Playhouse (Online review)
Philip Ridley’s play The Poltergeist made an intimate transition to the screen and will be unmissable as soon as live performances can be scheduled.
‘A richly resonant set of stories’: THE BARREN AUTHOR – Spiteful Puppet (Online review)
The character of Baron Munchausen has a long and illustrious history (he first appeared in 1785) but is probably best known in this country via Terry Gilliam’s 1988 film. Some of the spirit of that adaptation is to be found in Spiteful Puppet’s six part audio drama The Barren Author.
‘A timeliness & emotional truth’: SHRAPNEL – Production Lines (Online review)
There is a timeliness and emotional truth to Shrapnel, Production Lines’online play by CMFWood, that is enhanced by being presented live.
‘A triumph of ingenuity & responsiveness’: 15 HEROINES – Jermyn Street Theatre (Online theatre)
15 Heroines is an impressive and energised reworking of Greek myth that leaves the audience keen to find out more about each of these women and their remarkable lives.
Being a woman in Greek Mythology isn’t easy and for the most part they sit on the sidelines, forgotten sideshows to what are predominantly male narratives of war, conquest and feats of daring. Where women do feature, they are mere prizes to be won,…
’It’s best just to throw yourself into the role’: AGENT VENTURE (Online review)
If you’re missing socialising but want something a bit more structured than a straightforward video call, then you will find immersive adventure game Agent Venture a real tonic.
‘Natasha Karp’s performance is particularly moving’: LITTLE WARS (Online review)
At a time when hatred seems to be the new norm (whether antisemitism, homophobia, or literally anything else), narratives like those discussed in Little Wars are more important than ever.
‘Sparklingly dark world’: THE BEAST WILL RISE 6-10 (Online review)
What really strikes home in The Beast Will Rise series is the sheer range of scenarios which Philip Ridley conjures, all – in one way or another – providing responses to the pandemic, lockdown, survival and mental health.
‘Intricately thought out & masterfully constructed’: VIPER SQUAD – CtrlAltRepeat (Online review) ★★★★★
Viper Squad is a highly entertaining and thoroughly engaging piece of interactive Zoom theatre, providing human connection and a welcome sense of escapism.
‘An engrossing immersive experience’: FLICKER – Colab Tavern, London (review)
COLAB have done it again with Flicker, an engrossing, sometimes unsettling, immersive experience that makes for an evening’s entertainment that feels appropriate for the time of year, and the times we find ourselves living in. We the participants have, we are told, been summoned here to assist Reverend Parks (Ben Chamberlain) (and his wayward niece Florence) in performing an exorcism …
‘Novel & engaging show’: THE UNIVERSITY OF WONDER & IMAGINATION – Cahoots NI (Online review)
While University Of Wonder And Imagination is fun it is also educational and provides a stimulating introduction to a number of topics which can be explored further.
‘Paul Kennedy gives a performance of note’: CONTINUITY – Finborough Theatre (Online review)
Continuity is just one of the online plays available from the Finborough Theatre’s repertoire. It is not an easy watch but has many important points to make about political and personal beliefs and is a worthy addition to the theatre’s growing roster of material which challenges and provokes.
‘Demonstrating the power of aural memories’: DIGITAL CARAVAN THEATRE – Series 2 (Online review)
The microplays in the Digital Caravan Theatre Series 2 are full of a richness born out of careful time management giving them a leanness which is sometimes lacking in longer works.
‘The play is stunningly realised’: APOLLO 13 – THE DARK SIDE OF THE MOON – Original Theatre (Online review)
The whole creative and production team involved in Original Theatre Company’s Apollo 13: The Dark Side Of the Moon can be rightly proud of a superb job which really pushes at the frontiers of online drama.
‘A musical makeover that is far from obvious’: ADDING MACHINE – A MUSICAL – Finborough Theatre (Online review)
Finborough Theatre’s latest online offering is Adding Machine: A Musical, based on the American expressionist classic of the 1920s by Elmer Rice.
‘Piece after piece remains with you after the performance’: THE NEW TOMORROW – Young Vic (Online review)
Although a rather more muted celebration than originally planned, The New Tomorrow is a powerful acknowledgment of the theatre’s ongoing mission to be a real centre for the community.
‘Puts musical theatre at the top of the theatrical agenda’: SONGS FOR A NEW WORLD – London Palladium
This incredible concert version of Songs for a New World serves as an all-to-brief reminder of how it feels to listen to live music in an enclosed, traditional theatre space, responding to every note and beat.
‘A thoroughly sobering piece of work’: NO MASKS (Online review)
Back in April, part of Theatre Royal Stratford East’s response to the pandemic was to create a new type of project. They put out a call to key workers in the local community to share their stories via a video wall. Out of some of these writer Rebecca Lenkiewicz and director Nadia Fall have created a series of imagined monologues which have been filmed as No Masks.
‘Much to enjoy & explore’: In Someone Else’s Shoes: Edinburgh’s Unexpected Summer (Online review) ★★★★
Someone Else’s Shoes, the Traverse’s immersive online presentation conceived and directed by Hannah Price, is a thought-provoking and wistful evocation of Edinburgh without its festivals.