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NEWS: Full cast & further dates announced for UK Tour of Some Mothers Do ‘Ave ‘Em

In London theatre, Native, News, Plays, Press Releases, Regional theatre by Press ReleasesLeave a Comment

Due to popular demand, further dates have been added to the UK tour of the first ever stage production of the classic 1970s TV comedy Some Mothers Do ‘Ave ‘Em. The newly announced 2018 dates are Richmond Theatre (5 – 10 March), Royal & Derngate, Northampton (30 April – 5 May), The Hawth, Crawley (21 – 26 May), Assembly Hall Theatre, Tunbridge Wells …

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FLARE PATH – Touring

In London theatre, Plays, Reviews by Caroline Hanks-FarmerLeave a Comment

Set in 1942 this National tour of Terence Rattigan‘s wartime masterpiece is celebrating the 70th anniversary of VE day and is drawn from Rattigan’s own experiences of his RAF days of which he is pictured in the program, which incidentally makes for a fascinating read for all ages. With such a stellar cast as this, it was bound to be a fitting tribute to a historic time.

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Saturday Night Fever – Review

In by Jonathan BazLeave a Comment

Richmond Theatre, London
***
Music and lyrics by The Bee GeesBook adapted by Robert Stigwood and Bill OakesDirected by Ryan McBryde
The Company
When ‘Saturday Night Fever’ hit the screen in the UK in 1978 it had the country eating out of the palm of its hand. John Travolta’s Tony Manero, powered by the Bee Gee’s inimitable disco pulse had girls wanting him and guys wanting to be him. Robert Stigwood’s dance fuelled vision dripped with the illusory seduction of the 2001 Odyssey nightclub’s neon that offered a weekly escape from urban mundanity to Manero and his buddies. On the Richmond Theatre’s stage however, Ryan McBryde’s version of the show is perhaps a touch too dark and raw for a story that craves light and glamour.

In his programme notes McBryde describes Saturday Night Fever as “gritty, complex and uncompromising”. With a plot that includes heartbreak, financial struggle and suicide all set to such a popular and uplifting score, its inevitable that a credible staging will prove challenging. That said, McBryde has assembled a strong company of actor-musician performers. The economy of the actor-muso format serves the show well, offering a strong sense of energy and vibrancy in the more up tempo numbers, while equally giving the darker songs a real raw and honest edge, notably in Tragedy sung by Alex Lodge as Bobby C.  
Saturday Night Fever demands a fine leading man and Danny Bayne’s Manero provides the show’s driving energy. Bayne’s performance as the arrogant yet sensitive Manero, complete with flawless dancing is worth the ticket price alone and he handles his solo numbers with flair. Elsewhere, Bethany Linsdell as the love struck Annette whose early rendition of If I Can’t Have You offers just a glimpse of the singer’s talent as she makes fine work of the Yvonne Elliman classic. 
Throughout, Andrew Wright’s well engineered choreography excites, suggesting both the glitzy pizzazz and the emotional turmoil of growing up in New York city in the last century.
Above all the show makes for an entertaining night out. Many of us remember the movie (it was my first ever sneaked-into “x certificate”) when the Bee Gees’ sound defined an era. The middle aged will love the nostalgia – whilst a younger audience can absorb the sounds of a generation, performed magnificently by their peers.

Runs until 28th March 2015, then plays in Cardiff

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#Goodreads this week: Free ticket etiquette, Janet Suzman, Clooney’s panto lessons

In Features, Interviews, News, Opinion, Quotes by Terri PaddockLeave a Comment

What’s caught your eye this week? Here are a few pieces and issues that have caught mine and may be worth a longer look for you too. Free tickets, like free lunches, are paid for in good manners Wall Street Journal theatre commentator Joanne Kaufman admitted to “bolting” at the interval at the majority of […]

Review: Aladdin (Richmond Theatre, London)

In Musicals, Reviews by Johnny FoxLeave a Comment

Like a lot of people with a lifelong theatre habit, mine started with a pantomime. Having since written and acted in several, playing everything from Peter Pan to an Ugly Sister, I still love them and it’s delightful on the walk from Richmond station to the theatre, to see the excitement of so many diminutive […]

The post Review: Aladdin (Richmond Theatre, London) appeared first on JohnnyFox.

Review: Aladdin (Richmond Theatre, London)

In Musicals, Reviews by Johnny FoxLeave a Comment

Like a lot of people with a lifelong theatre habit, mine started with a pantomime. Having since written and acted in several, playing everything from Peter Pan to an Ugly Sister, I still love them and it’s delightful on the walk from Richmond station to the theatre, to see the excitement of so many diminutive […]

The post Review: Aladdin (Richmond Theatre, London) appeared first on JohnnyFox.

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Review: Radio Times (Richmond Theatre, London)

In Musicals, Reviews by Johnny FoxLeave a Comment

You’ve never heard of Reg Armitage from Wakefield, have you? Much less heard that he was one of Britain’s most prolific composer-lyricists in the years between the two World Wars or that Sheridan Morley described him as the nearest thing Britain had to a home-grown Irving Berlin. Changing his name to Noel Gay didn’t really […]

The post Review: Radio Times (Richmond Theatre, London) appeared first on JohnnyFox.

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Review: Radio Times (Richmond Theatre, London)

In Musicals, Reviews by Johnny FoxLeave a Comment

You’ve never heard of Reg Armitage from Wakefield, have you? Much less heard that he was one of Britain’s most prolific composer-lyricists in the years between the two World Wars or that Sheridan Morley described him as the nearest thing Britain had to a home-grown Irving Berlin. Changing his name to Noel Gay didn’t really […]

The post Review: Radio Times (Richmond Theatre, London) appeared first on JohnnyFox.