In Approaching Empty writer Ishy Din proves himself an authentic voice, telling tales we have not heard before in a muscular and engaging style.
The full cast and creative team is announced for Sean Foley’s stage adaptation of classic Ealing Studios comedy The Man in the White Suit.
The inimitable Kneehigh retools The Beggar’s Opera in Dead Dog in a Suitcase (and other love songs).
Ishy Din’s new play about a cab office, Approaching Empty at the Kiln in Kilburn, is more of an old banger than a sleek Uber machine.
Seventies teenager Meena lives in Tollington, a former mining village in England’s Black Country in Anita and Me. Meena is a thoroughly British Asian, but mum Daljit and dad Shyam have a different perspective, having left their native India to give their daughter every opportunity.
Anita and Me is set in 1970s and yet the topics, issues and heart of the piece are all remarkably current given the political times we are living.
The middle session of Women Centre Stage: Power Play Festival saw our first trip into the Hampstead’s main house for PRIDE and Prejudice.