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‘Deep wells of emotional resonance roll out into the audience’: STANDING AT THE SKY’S EDGE – National Theatre

In London theatre, Musicals, Opinion, Other Recent Articles, Reviews by Maryam PhilpottLeave a Comment

It is still a relatively rare experience to see a working class drama that invests its characters with a profound and complex, even a poetic interior, life, but from the first moments of Richard Hawley and Chris Bush’s Standing At the Sky’s Edge when a workman stops to greet the beauty of the dawn and the sound of birdsong, it is clear that this is no ordinary representation of

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‘I’d be surprised if I see a more impressive piece of theatre this year’: ROCK/PAPER/SCISSORS – Sheffield

In Opinion, Other Recent Articles, Plays, Regional theatre, Reviews by Not Exactly BillingtonLeave a Comment

All three plays in Chris Bush’s Rock/Paper/Scissors triptych run in Sheffield Theatres’ three spaces simultaneously with one cast. The overall piece is a logistical coup-de-théâtre. It’s also a perfect coming together of space and place in three funny, achingly profound and heartful plays about a city and its people on the cusp of change.

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NEWS: James Norton & Imogen Poots star in UK premiere of Belleville in new Donmar season

In London theatre, Native, News, Plays, Press Releases, Sticky by Press ReleasesLeave a Comment

British screen stars James Norton and Imogen Poots will star in the UK premiere of American playwright Amy Herzog’s acclaimed play Belleville at London’s Donmar Warehouse. The production, directed by Michael Longhurst, is one of three new shows announced today for winter 2017/2018.

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NEWS: Female playwrights lead Best New Play nominations in UK Theatre Awards 2017

In Awards, London theatre, Musicals, Native, News, Press Releases, Regional theatre, Sticky by Press ReleasesLeave a Comment

Industry body UK Theatre has announced the nominations for the annual UK Theatre Awards, which celebrate creative excellence and the outstanding work seen on stages throughout England, Scotland, Wales and Northern Ireland. Notably, for the first time in the Awards history, all nominations for Best New Play are written by female playwrights.