Following a sell-out international tour, this critically and publicly acclaimed production of 1984 will return to the Playhouse Theatre in London’s West End this summer. George Orwell’s dystopian masterpiece, adapted by Olivier Award-winner Robert Icke and Olivier Award-nominee Duncan Macmillan, will preview from 14 June 2016, with the press night on 28 June 2016.
Dame Judi Dench wins record eighth award – receiving more Olivier Awards for acting than any other performer Chichester Festival Theatre’s transfer of Gypsy wins the most awards this year for a single production, including Best Actress in a Musical for Imelda Staunton and Best Musical Revival Kenneth Cranham and Denise Gough win Best Actor and Best Actress National Theatre …
After re-visiting The Book of Mormon, it makes it into this week’s Top Ten; so does People, Places and Things, newly transferred from the National to the West End. Plus, this week’s openings and other recommendations.
After three one-star shows in a row last week, there’s a guaranteed hit opening this week when People, Places and Things transfers from the National.
Mark Shenton’s top ten ticket recommendations of the week, plus new openings at the St James and Young Vic plus the latest in Kenneth Branagh’s West End season
Top ten of the week, but there are lots of dark theatres, too, in London at the moment.
Top ten of the week, with new addition for Simon McBurney’s phenomenal The Encounter.
Robert Icke’s new adaptation of Chekhov’s Uncle Vanya is best summarised as an update – and an Anglicisation. Played in contemporary clothes, with sprinkled swearwords (so often touted as modern shorthand for “relevance”), Uncle Vanya is now ‘Uncle Johnny’, Professor Serebryakov is simply ‘Alexander’, Dr Astrov is ‘Michael’.
A Broadway comedy and two British created musicals arrive in the West End this week – one from last summer’s season at Bath’s Theatre Royal, the other after a long stage life of touring regionally and internationally for the last eight years. Will any of them make it to next week’s Top 10 list? This week’s main openings In London: …
Kenneth Cranham awarded Best Actor for “the role of a lifetime” Denise Gough awarded Best Actress only three years after winning Most Promising Newcomer Bend It Like Beckham wins Best Musical Robert Icke awarded Best Director for Oresteia The Critics’ Circle Theatre Awards 2015 were hosted today, Tuesday 26th January 2016, by the Critics’ Circle Drama Section Chairman (and My Theatre …
Hangmen, Judi Dench, Bend It Like Beckham, Oresteia are among the winners… The annual best of lists are always a good indication of who’s likely to triumph at the Critics’ Circle Awards, which were presented this afternoon at the Delfont Room in the West End’s Prince of Wales Theatre. Understandably so as it’s critics who, by and large, draw up those lists and critics only – voting by secret, first-past-the-post ballot – who determine the Critics’ Circle Awards.
Looking ahead to this year’s highlights, from Broadway imports and Pulitzer prize winners to Kenneth Branagh and Matthew Warchus’s ongoing seasons.
Jessica Brown Findlay (Sonya), Vanessa Kirby (Elena), Richard Lumsden (Telegin), Hilton McRae (Serebryakov), Tobias Menzies (Astrov) and Ann Queensberry (Nanny) join the previously announced Paul Rhys (Vanya) in Chekhov’s Uncle Vanya, a new version created by and directed by Associate Director, Robert Icke, at the Almeida Theatre.
The Almeida Theatre’s critically acclaimed, sold out production of Oresteia, by Aeschylus, re-imagined for the modern stage by Almeida Associate Director Robert Icke (The Fever, Mr Burns, 1984) will transfer to the Trafalgar Studios in the West End from 22 August. Press night 7 September 2015. Robert Icke’s Oresteia was acclaimed during its Almeida run as one of the theatre …
Across the eight days and nights between last Sunday and tonight, I’ll have seen 11 shows, and (excepting tonight which I’ve not seen yet and one of which was a critics’ preview and I’m therefore not in a position to comment publicly on yet), I’ve loved eight out of the nine. That’s an incredible strike record for one week, and one of those runs of great shows that you only dream of. It helps, of course, that I was playing catch up on six of them, so I was in (comparatively) safer hands than going blind to yet-to-be reviewed shows. But there’s also a fear that a show won’t live up to the good reviews youv’e already read and absorbed.