The family at the centre of the story is that of Richard Myers (Robert Lindsay), an eminent geneticist who now has Parkinson’s Disease.
The first thing you notice upon entering the auditorium is the impressive dominating cross-section of the Myers’ family’s four-storey, ageing townhouse based in Manhattan.
Light as a souffle but such a delight. It’s doubtful whether there has ever been a classier bit of froth than this Cole Porter show.
As soon as the title number’s patter chorus kicks in, there’s a smile on every face at the Barbican Centre, where Cole Porter’s Broadway classic Anything Goes runs until 6 November 2021.
Broadway star Rachel York and Tony and Olivier nominee Haydn Gwynne will join the cast of critically-acclaimed Anything Goes for the final weeks before the show must end on 6 November 2021.
We round up the reviews for Kathleen Marshall’s production of Anything Goes, now playing at the Barbican.
Two classic revivals — both coincidentally first launched in the spring and summer of 2011, one on Broadway (Anything Goes, in a production directed and choreographed by Kathleen Marshall), the other at Chichester, before transferring to the West End’s Palace Theatre (Singin’ in the Rain, directed by Jonathan Church with choreography by Andrew Wright) — have returned in triumph on consecutive nights this week.
In Anything Goes at the Barbican there are celebrity gangsters and torch-singers, big stock-exchange money and big energy, jazzy lapdancers and a touching belief that poor old England is best represented by a silly-ass in tweeds who doesn’t understand words like smooch.
With the news that the full reopening of theatres has been delayed until July, many of us are in need of a good laugh. Thankfully FoolHardy Productions is on hand to entertain with its latest comedy, an online production of The Three Musketeers.
Heavily promoted on the strength of Robert Lindsay’s involvement in the cast, this audio-animated adaptation of The Three Musketeers owes more to parody and pastiche than any serious attempt to translate the story into digital form.
This weekly column keeps track of the shows that are coming back, or are newly being announced, as theatres prepare to re-open from next month onwards. It will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
Meanwhile, I want to start keeping track of the shows that are coming back, or are newly being announced, in a new feature here that will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
Today, for the first time since the mid-December lockdown brought the shutters down on most forms of social interaction in public, including the closure of non-essential shops, pubs, restaurants, theatres, cinemas, museums and galleries, Britain is beginning the process of edging out of those some of those restrictions.
Anything Goes will open at London’s Barbican Theatre from 23 July 2021 for a strictly limited 12-week season until 17 October.
Award winning actress Felicity Kendal will make her West End musical debut starring as Evangeline Harcourt, alongside leading actor Gary Wilmot as Elisha Whitney, in Anything Goes at London’s Barbican Theatre, running for a strictly limited season from 5 June to 22 August 2021.
Emmy & SAG Award winner Megan Mullally (Will & Grace) will make her West End musical debut as Reno Sweeney in Anything Goes opposite Tony, Olivier & BAFTA Award winner Robert Lindsay as Moonface Martin, running from 8 May 2021 (press night is 20 May) until 22 August at London’s Barbican Theatre.
A Marvellous Party, commissioned by the Noël Coward Foundation, ostensibly marks the centenary of Coward’s first appearance on stage and has been produced to raise funds for actors on both sides of the Atlantic who are struggling with the effects of the pandemic.
Prism, written and directed by the acclaimed playwright Terry Johnson, tells the story of cinematographer Jack Cardiff in the latter years of his life.
Terence Rattigan was understandably consumed with thoughts of love and death – and the right way to die – when he wrote his last great play, In Praise Of Love. Dying himself from leukaemia – after an earlier false diagnosis – the writer poured his feelings into this profoundly moving and tragic semi-autobiographical play.
Jonathan Church, artistic director of Theatre Royal Bath, has announced the theatre’s full 2018 summer season programme. Some of the country’s most prolific actors will star in a selection of both UK premieres and renowned classics in the theatre’s historic Main House and the intimate Ustinov Studio.
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