A Grand Night For Singing as part of the Edinburgh International Festival is done with such grace and skill that it is difficult to feel much but warmth towards it.
Taking a hard line on a troublesome musical is smart work and Sheader has given considerable thought to reconfiguring Carousel for twenty-first century audiences.
In a mini-season of nostalgic musicals looking back to mid-twentieth century song and dance styles, Carousel probably least deserves its cosy reputation. While the racial politics and untrammelled heroism of South Pacific is troubling, its love st…
The Theatre Cafe, in collaboration with the Open Air Theatre Regent’s Park, have created this salute to the timeless duo Rodgers and Hammerstein for The Theatre Channel’s Episode 7.
Regent’s Park Open Air Theatre has confirmed the initial principal casting for Rodgers and Hammerstein’s Carousel which plays from 31 July to 25 September 2021. Carly Bawden and Declan Bennett play Julie Jordan and Billy Bigelow, John Pfumojena plays Enoch Snow, Olivier Award winner Joanna Riding plays Nettie Fowler and Natasha May Thomas plays Louise Bigelow.
As a whole, R&H Goes Pop is a wonderfully diverse album that shows how the work of Rodgers and Hammerstein can reimagined for a contemporary audience.
Last week I launched a new podcast series ShenTens here, counting down my top ten favourite musicals, and today the second episode is released.
The collective charisma of the cast in a stunning production of The King and I earns a well-deserved standing ovation.
For this week only, the capital can again savour the vocal excellence of Molly Lynch in her one-woman show Rodgers and Hammerstein & Me Too
Jeremy Sams and his creative team have delivered theatrical magic in Oklahoma! at Chichester Festival Theatre.
Janie Dee and Joanna Riding are two of the UK’s finest musical theatre performers. At the National Theatre the return of Dominic Cooke’s acclaimed production of Follies currently stars the two actresses.
This is also a beautifully sung revival of Carousel on Broadway – and even having not seen it I can tell that these terrific artists are truly ‘acting through song’.
Bartlett Sher’s production of The King & I brings the classic Rodgers and Hammerstein musical to the West End. But what have critics had to say about it?
This production is a sublimely exquisite staging of a classic Rodgers and Hammerstein show. All hail Broadway Queen Kelli O’Hara for bringing her inimitable characterisation and vocal supremacy to her portrayal of Anna
Shuler Hensley is an American actor who, outside of the theatre world and especially the musical theatre world, is little known in the UK. Currently, he can be found in the Theatre Royal Bath’s Ustinov Studio in the modern tragedy The Whale,
This is a heartbreakingly beautiful interpretation of probably the darkest musical to have emerged from Broadway’s Golden Years but, and not unlike The Starkeeper himself, Jack O’Brien has firmly fixed his Carousel in the firmament of 21st-century musical theatre.
Takao Osawa, the multi-award-winning actor and star of one of Japan’s most popular television series Jin, will join the cast of Rodgers and Hammerstein’s The King and I to play Kralahome, trusted adviser to The King of Siam, when the smash hit musical transfers from Broadway to the London Palladium on 21 June 2018 (press night is 3 July).
Rodgers and Hammerstein considered Carousel to be their finest work. The show is this year’s semi-staged Coliseum offering from Michaels Grade and Linnit and they have laid on a sumptuously sized cast and orchestra that bring a rarely encountered richness to the famed musical.
Alfie Boe and Katherine Jenkins will star for the first time together in the West End as Billy Bigelow and Julie Jordan in Rodgers and Hammerstein’s Carousel for English National Opera, opening at the London Coliseum in April.
This forgotten Rodgers and Hammerstein musical has finally received its European premiere at the Southwark Playhouse, where it continues until 10 September 2016. But is it worth bringing back to the stage?
Allegro is the third musical born from the long standing genius that is the duo of Rodgers and Hammerstein. While neither their most successful piece, nor their most daring and despite it being a somewhat lacklustre story, Allegro still holds all of the charm and sophistication associated with R&H musicals.
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