Paapa Essiedu and Lennie James deliver stunning performances in a cracking production of Caryl Churchill’s A Number at the Old Vic Theatre.
Cut off in its prime in March, Ian Rickson’s Uncle Vanya returns to us from an empty theatre, filmed for cinema release.
Tickets are now on sale for theUK, Ireland and international cinema screenings of Ian Rickson’s highly-acclaimed production of Conor McPherson’s new adaptation of Uncle Vanya, starring Toby Jones and Richard Armitage.
Sonia Friedman Productions has announced that Ian Rickson’s highly-acclaimed production of Conor McPherson’s new adaptation of Uncle Vanya, forced to close in March when the West End went into lockdown, has been filmed on stage at the Harold Pinter Theatre in partnership with Angelica Films.
The idea of re-performing Lungs while the actors safely socially distance got me thinking about other plays which have been performed over the past year or two that could be similarly revived.
If the intimate play A Number feels a bit lost in the vast space of the Bridge, the performances are big enough to give it the required punch.
A Number packs a lot of themes, meaning and ideas into just an hour of stage time in a production that asks big questions about scientific progress.
Looking ahead to some of 2020’s exciting shows, most with an emphasis away from the West End and instead focusing at the London Fringe and across the UK.
New 2020/2021 productions at London’s Bridge Theatre will begin with Polly Findlay directing Roger Allam and Colin Morgan in Caryl Churchill’s play A Number at London’s Bridge Theatre.
Revival of Githa Sowerby’s 1912 classic of industrial patriarchy Rutherford and Son is worthy but rather cumbersome and inaccessible.
Love London Love Culture rounds up the reviews for Polly Findlay’s production of Rutherford & Son at the National Theatre starring Roger Allam.
Githa Sowerby used her own upbringing as the daughter of a Tyneside glass-making family for her breakthrough play, Rutherford and Son, but whether her father was as cold, insensitive and bullying as patriarch John Rutherford is open to speculation.
Rutherford and Son is not my cup of tea. The acting does just about salvage it, or at least stop it from being a complete disaster, but it’s not enough.
Psychology, social rage, human sadness and betrayal move in an elegant circle in Rutherford & Son at the National Theatre and Findlay’s direction doesn’t miss a beat of it.
Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre, as part of the National Theatre’s new season.
Rufus Norris has unveiled the National Theatre’s plans for 2019 and beyond. Highlights include the world premiere of Small Island adapted by Helen Edmundson from Andrea Levy’s novel, directed by Rufus Norris.
As much a chronicle of the origins of the Glyndebourne Festival as a metaphor for the pursuit of any artistic enterprise, David Hare’s The Moderate Soprano (which is directed by Jeremy Hennin) works on many different levels.
Jeremy Herrin’s production transfers to the Duke of York’s Theatre, having played at the Hampstead Theatre (running until 30 June 2018). But what have critics been making of David Hare’s play?
The frenzy of John Christie, founder-owner of Glyndebourne’s opera house – a tubby, determined man with a yearning for sublimity –receives, in this lovely play The Moderate Soprano, the respect that it should.
David Hare’s critically acclaimed play The Moderate Soprano will make its West End premiere next spring at the Duke of York’s Theatre, with Olivier Award winners Roger Allam and Nancy Carroll reprising their roles.
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