Prime minister Boris Johnson has confirmed that England will move to Step 4 of the Government roadmap on 19 July 2021, meaning that theatres will be able to return to full attendance levels.
The unstoppable Creation Theatre has been one of the highlights of digital theatre production during this 14 months of uncertainty, and for their new show they return to the works of William Shakespeare and Romeo and Juliet.
Regent’s Park Open Air Theatre has confirmed its 2021 season, including extended runs of Romeo and Juliet (17 June-24 July), directed by Kimberley Sykes, and Carousel (31 July-25 September), directed by Timothy Sheader.
Jessie Buckley is astonishing as the National Theatre’s Romeo and Juliet makes the jump from stage to screen to extraordinary effect.
Wise Children, Bristol Old Vic and Plush Theatricals have announced that Emma Rice’s critically-acclaimed musical adaptation of Romantics Anonymous will be performed at Bristol Old Vic, and broadcast live, direct to audience’s homes nationally and globally.
I’ve really admired the work of Sydney Aldridge throughout the course of The Show Must Go Online, so who better to talk to about casting and her experiences with this innovative Zoom theatre project?
Reading that the Globe may struggle to come back from this current crisis without the help of donations and emergency funding didn’t seem quite real.
Here’s our Top 10 list for 2019 with three musicals – Come From Away, Curve’s West Side Story and the touring production of Amelie dominating the top spots.
& Juliet is a camp classic that’s perfect nostalgia hit for the children of the 90s, and a guaranteed hit for fans of the music – this isn’t the Shakespeare you’ll recognise from your schooldays…
Regent’s Park Open Air Theatre has announced its 2020 season which opens with its first newly commissioned musical, 101 Dalmatians (16 May to 21 June 2020, press night is 27 May), based on Dodie Smith’s iconic story set in the heart of Regent’s Park with book by Zinnie Harris and music and lyrics by Douglas Hodge.
Rubbish Shakespeare Company squeezes the Bard’s tragic romance Romeo & Juliet into a family-friendly hour of farce in this knowingly silly production.
Romeo & Juliet, with Karen Fishwick and Bally Gill as the leads, arrives at the Barbican as part of the Royal Shakespeare Company’s London residency. Although written over four centuries ago, this production feels chillingly relevant.
If Shakespeare promised his audience in the prologue of Romeo and Juliet two hours’ traffic of our stage’, Insane Root does one better and knocks out, probably the world’s most famous play, in 100 minutes.
A Romeo and Juliet like no other, made all the more unpredictable with the inclusion of alcohol – you’ve not lived until you’ve seen Juliet swigging a pint at the altar!
Today, on the birthday of William Shakespeare, full details have been announced for Europe’s first ever pop-up Shakespearean Theatre – Shakespeare’s Rose Theatre – which makes its debut in the historic city of York in June. Preparations are well underway for a ground-breaking ‘Summer of Shakespeare’. Highlights include: Directors Lindsay Posner, Damian Cruden and Juliet Forster to lead two companies …
I finally managed to secure a ticket for La traviata through Opera Undressed, a scheme run by the English National Opera for productions at the London Coliseum. It’s a great package: the £20 ticket covers a ‘best available’ seat, a pre-show talk, and a free G&T at the aftershow party.
Later this year, the three Shakespeare productions from the Royal Shakespeare Company’s current Stratford-upon-Avon season this spring will transfer into the Barbican Theatre from October.
Well, we’re all still here… The big red button hasn’t been pushed yet and theatre is better than ever! But what’s coming up this year?
I get rather drawn to the stats page of the blog at times. But it’s always interesting to see the search terms that bring people here – and which posts get the most hits!
This year variety has been the thing (though I’ve still managed to stack up certain repeat attendances), so that means I’ve seen a serious amount of performers – some even two or three times!