Force Majeure is a random act of God that cannot be predicted or measured that entirely disrupts planned activity, something we can all appreciate a little better in the past two years.
‘Genius programming for winter 2022’: FORCE MAJEURE – Donmar Warehouse ★★★
Inspired programming here. You’d find a decent overlap in any January Venn diagram of regular Donmar audiences and people who wish they were skiing.
‘Shades of Scandi humour on the slopes’: FORCE MAJEURE – Donmar Warehouse
The Donmar Warehouse’s stage has been converted into a French ski resort for Force Majeure.
Force Majeur…
‘Director Michael Longhurst brings ski slopes to Covent Garden’: FORCE MAJEURE – Donmar Warehouse
Adapted from Ruben Östlund’s film, Force Majeure is an exercise in family breakdown set among a group of well-off Swedes on a skiing holiday.
NEWS: Rory Kinnear & Kit Harington are cast in Donmar Warehouse’s new season
London’s Donmar Warehouse has announced its reopening season following extended closure and completion of essential building works, beginning with with Inua Ellams’ audience-led poetry event Search Party.
REVIEW ROUND-UP: Macbeth at the National Theatre
Rory Kinnear and Anne-Marie Duff star as the Macbeths in this new production directed by Rufus Norris at the National Theatre until 23 June. But what have the critics had to say about it?
‘Free from the complications of its set, the play rolls more smoothly’: MACBETH – National Theatre
There is much to like and enjoy about this production of Macbeth, including inventive performances and strong ideas. However, Rufus Norris should probably play to his strengths as a director, which are many, and not feel he needs to transform into Nicholas Hytner as well.
‘Kinnear makes the classic soliloquies his own’: MACBETH – National Theatre ★★★
The politics may be clumsy but the acting is beautiful at the National Theatre. Make no mistake, Rory Kinnear is a magnificent Macbeth.
‘It’s Anne-Marie Duff who steals the show’: MACBETH – National Theatre ★★★
If you’re a Shakespeare fan then there’s no reason why you shouldn’t go and judge Rufus Norris’ Macbeth for yourself, but if not then I wouldn’t rush along, as I don’t think this is the production to make you a fan.
‘A dull disappointment’: MACBETH – National Theatre
So, I’m sorry to say that the starry Olivier-platformed NT production of Macbeth is a dull disappointment. For me, I couldn’t find a single element that worked.
‘A red-trousered disappointment’: MACBETH – National Theatre
A whole lot of post-apocalyptic hurly-burly and sadly not much more besides – the National Theatre’s Macbeth really is something of a red-trousered disappointment.
‘Somehow, I’m not quite buying it’: MACBETH – National Theatre ★★★
Yet somehow, I’m not quite buying it. We are used to gore and nasty things hung on trees and lots beheadings, ever since the technology for reproducing actors’ heads improved. Fine. But unlike the Hytner Othello – set in a modern army camp – or his Hamlet in a recognizable police-state, the misery-world evoked here gives no sense that there ever were nobilities to be breached by the Macbeths. It’s just chaos, and you expect no better.
‘A huge missed opportunity’: MACBETH – National Theatre
Here at the National, as with many other attempts, the production’s vision lacks real purpose and fails to engage with the complex motivation of Macbeth himself, leaving him and us nowhere to go.
YOUNG MARX – Bridge Theatre
The Bridge Theatre’s programming policy is not yet clear, but we can surely look forward to evenings here with more to offer than harmless entertainment.
Acts of theatre resistance: Insignificance, Young Marx, Imagine This, Bernarda Alba
While not Political Plays per se, over the past fortnight, I’ve seen several productions that have reminded me that theatre can play an important part in telling stories of resistance.
YOUNG MARX – Bridge Theatre
It’s a clever idea by Richard Bean, to envision a story set when Karl Marx was an impecunious migrant living in the ‘squalor’ of Dean Street in Soho, caught between the pawnbrokers and the bailiff in a hand to mouth existence, and to pair him with his future political ally Friedrich Engels in a sort of knockabout turn like Morecambe and Wise, with a sidelong glance at the actual Marx Brothers.
REVIEW ROUND-UP: Young Marx at the Bridge Theatre
Rory Kinnear takes the title role in Young Marx, Nicholas Hytner’s inaugural production at London’s new large-scale venue, the Bridge Theatre, where it runs until 31 December 2017. Here Love London Love Culture rounds up the reviews.
YOUNG MARX – Bridge Theatre
Brand-new London theatre from the two Nicks is wonderful, but its first show is disappointing.
NEWS: Dates & further cast announced for National Theatre 2018 season
Lots of updates coming from the South Bank today after the National Theatre’s press conference earlier this month when artistic director Rufus Norris unveiled programming plans for 2018. Today, further dates and casting for many of those productions are announced.
YOUNG MARX – Bridge Theatre ★★★★★
The play sometimes felt a bit disconnected, between historic politics and the broad larking. But its revolutionary paupers got their applause from the not-at-all broke first night crowd. And I have a hunch that it will find its feet better, the laughs sharper, with a younger, wider audience.