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‘A triumph of ingenuity & responsiveness’: 15 HEROINES – Jermyn Street Theatre (Online theatre)

In London theatre, Online shows, Opinion, Plays, Reviews by Maryam PhilpottLeave a Comment

15 Heroines is an impressive and energised reworking of Greek myth that leaves the audience keen to find out more about each of these women and their remarkable lives.

Being a woman in Greek Mythology isn’t easy and for the most part they sit on the sidelines, forgotten sideshows to what are predominantly male narratives of war, conquest and feats of daring. Where women do feature, they are mere prizes to be won,…

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NEWS: Ian Rickson’s celebrated production of Uncle Vanya to receive cinema & broadcast release

In Films, London theatre, Native, News, Plays, Press Releases, Quotes by Press Releases

Sonia Friedman Productions has announced that Ian Rickson’s highly-acclaimed production of Conor McPherson’s new adaptation of Uncle Vanya, forced to close in March when the West End went into lockdown, has been filmed on stage at the Harold Pinter Theatre in partnership with Angelica Films.

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‘Far lighter than the themes of the play might suggest’: UNCLE VANYA – West End

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Maryam PhilpottLeave a Comment

This Uncle Vanya is more roundedly entertaining than other recent productions and while that detracts a little from the emotional undercurrents of the original, the fluidity and richness of Rickson’s production, performed by an excellent cast, ensure a satisfying Chekhovian conclusion.

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PLAQUES AND TANGLES – Royal Court

In London theatre, Opinion, Plays, Reviews by Aleks SierzLeave a Comment

Once upon a time, quite recently, you couldn’t move for plays about youth. Now, there’s been an avalanche of dramas about ageing, usually in the context of dementia and family life. Maybe all of our main playwrights have suddenly grown up, or maybe the endless quest for novelty has deposited us on the shores of the current trend-setting idea. Nicola Wilson’s Royal Court debut is yet another play about Alzheimer’s, ageing and memory, but is it any different from Florian Zeller’s The Father, April de Angelis’ After Electra or Emma Adams’s Animals?