The cast has been announced for Sue Townsend’s The Secret Diary of Adrian Mole aged 13¾ – The Musical which will open at the Ambassadors Theatre for a limited season from 15 June until 12 October 2019, with a gala night on 2 July 2019.
A historic hit! Jermyn Street Theatre’s historic staging of Noel Coward’s full Tonight at 8.30 cycle has wowed the critics who attended this past weekend’s trilogy days. We’ve rounded up some of our favourite review quotes below, including from our own Cowardologist Libby Purves. Get your tickets before they’re all gone!
Got your tickets yet for Jermyn Street’s historic staging of Noel Coward’s Tonight at 8.30? It’s the first time that all nine plays in the cycle have been staged together in London since their 1936 premiere. Check out our gallery of production shots from the first three Bedroom Farces below – and then get booking!
We continue our series building up to the opening of Jermyn Street’s complete staging of Noel Coward’s Tonight at 8.30 with these new, rehearsal room videos from the cast introducing the nine plays in the cycle, not seen all together in London since their 1936 premiere. Watch onscreen below – and then get booking to watch onstage!
Before Brief Encounter, there was Still Life. Audiences now have a chance to see Noel Coward’s one-act play, which spawned David Lean’s classic film, as part of Jermyn Street Theatre’s complete cycle of nine short plays, which have not been seen all together in London since their 1936 premiere. Watch our video with Still Life’s new Laura – and then get booking!
Jermyn Street Theatre is reviving Noël Coward’s complete cycle of one-act plays, Tonight at 8.30, for the first time in London since Coward himself starred in the 1936 West End premiere. How well do you know the plays (beyond just Still Life, which later became immortalised onscreen as Brief Encounter)? Gen up below – and then get booking!
Final casting has been announced for the first complete London revival of Noël Coward’s Tonight at 8.30 since 1936, being staged by Jermyn Street Theatre as part of its The Reaction Season.
As A Spoonful of Sherman, a tribute to three generations of Sherman family music, including childhood classics by the Sherman Brothers, continues Live at Zedel until 20 August 2017, Ian Foster reviews related albums.
There’s a rather lazy trope around ‘unlikely subjects’ for a musical which accompany any show that deviates from the apparent norm. Yet given that the Best New Musical Olivier award winners over the past few decades have covered Argentinian politics, Scouse twins, confused animals, missionaries in Africa and post-Impressionist painters, I’m not entirely sure what counts for normal here!
The Donmar Warehouse today announces full casting for The Public Administration and Constitution Affairs Committee Take Oral Evidence on Whitehall’s Relationship with Kids Company, a new documentary musical which premieres in July.
The plot fuses a caper like Dirty Rotten Scoundrels with Indecent Proposal where mobster types hijack the love story of Jack and Betsy by offering her a weekend in Hawaii to pay off his gambling debt. Betsy escapes the hoods disguised as a showgirl, Jack has pursued her in a troupe of skydiving Elvis impersonators.
In the swish surroundings of the London Palladium, it was hard not to be entirely seduced by the lush sound of a 30-strong orchestra (under the musical direction of Freddie Tapner), a chorus of 16 up-and-coming performers and a main cast of bona fide West End stars directed by Shaun Kerrison.
Honeymoon in Vegas ★★★★★ Review by Soraya Scrivener Freddie Tapner, London Musical Theatre Orchestra’s founder and principal conductor introduced the evening to rapturous applause. I was delighted to hear we would hear the script of this comedy musical, Honeymoon In Vegas, as well as the musical numbers in this one-off UK premier concert. LMTO’s first […]
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Showbiz, entertainment and glamour are three things one expects on a trip to Las Vegas. Well for one night only, courtesy of the London Music Theatre Orchestra; Vegas came to London – with showbiz, entertainment and sheer musical class in abundance.
Maxwell Caulfield, Simon Lipkin, Nicolas Colicos and Rosemary Ashe will join Samantha Barks and Arthur Darvill in the full cast of London Musical Theatre Orchestra’s concert presentation of HONEYMOON IN VEGAS.
Robert J. Sherman (he of the illustrious songwriting line of Shermans and no relation to Rory) has scored the reflective Mondays, recorded by Rosemary Ashe. There’s an innate sense of wisdom in Ashe’s timbre.
“Put on your navy knicks, pick up your hockey sticks – and bully-up, bully-up..” Jeepers. I had completely forgotten that ritual “bully” of stick-bashing at the start of a vicious hockey encounter. But a friend of my youth persuaded me to sneak in to this peculiar, and not unengaging, new musical on the last leg of its short tour. And there was much to see: the crazed hockeystick tap routine, the sapphic love duet in the locker room, and a barnstorming finale when the demise of the unrepentant demon headmistress caused my friend sagely to think of Don Giovanni.
New British musical CRUSH – starring Rosemary Ashe, Sara Crowe and Kirsty Malpass – premieres tonight (8 September 2015) at Belgrade Theatre Coventry, where it runs until 19 September 2015, and then transfers to Theatre Royal Brighton (22-26 September) and Richmond Theatre (29 September-3 October). The show is presented by a creative team whose hit stage and screen work includes Waterloo …