Chaplin: Birth of a Tramp is a sensitive and interesting take on Chaplin, looking at the artist behind the art and continues to showcase Arrows and Traps as a innovative company.
Have you ever seen Charlie Chaplin’s classic film The Great Dictator? Eighty years after it was released, it feels terrifyingly current. We get a glimpse of why with the inclusion of its final speech in Arrows & Traps’ latest offering.
Chaplin: Birth of a Tramp is an enthralling and emotive production with an unforgettable central performance – another unmissable show from Arrows & Traps.
If you’ve ever wondered how this particular legend was born, the play Chaplin: Birth of a Tramp offers a fascinating, entertaining and surprisingly poignant way to find out.
Ought To Be Clowns barely saw 250 shows this year, quiet by his standards. And as is the way of these things, here’s a rundown of some of the productions that moved me most…
Looking ahead to some of 2020’s exciting shows, most with an emphasis away from the West End and instead focusing at the London Fringe and across the UK.
As part of her ongoing post-show talk series, Mates co-founder Terri Paddock catches the premiere of a brand-new play about legend of the silver screen, the Little Tramp, Charlie Chaplin. Got any questions?
Ross McGregor, artistic director and powerhouse behind Arrows & Traps Theatre Company, has captured the zeitgeist with his modern, political adaptation of Robert Louis Stevenson’s The Strange Case of Jekyll & Hyde.
Arrows & Traps’ queer noir take on The Strange Case of Jekyll & Hyde is a contemporary adaptation that speaks to the ages at the Brockley Jack Theatre.
Arrows and Traps’ residency at the Brockley Jack is a guarantee of quality. This new adaptation, from director and writer Ross McGregor, of the classic novel sets the scene in 21st century America; amongst school shootings, right wing rhetoric, sexuality and the science that makes Jekyll & Hyde seem a possibility rather than a fantasy.
Arrows & Traps’ 18th production in its five-year history is also its tenth at London’s Brockley Jack Theatre, where it is now an associate company, and its third in a Gothic trilogy. And it’s a corker.
Arrows & Traps’ track record adapting classics is second to none, and with this new production of The Strange Case of Jekyll & Hyde Ross McGregor has created something startlingly modern and original that still embraces its Victorian origins.
Arrows & Traps’ The Strange Case Of Jekyll & Hyde is one for a new generation: an endlessly thought-provoking, unsettling, enthralling production that’s not to be missed.
One Giant Leap is a very silly story with no other mission in mind but providing two hours of pure entertainment.
After their current summer hit with One Giant Leap, Arrows & Traps will return to Brockley Jack Theatre in September when, as part of her ongoing post-show Q&A series, Mates co-founder Terri Paddock will join them on Friday 6 September 2019 for Jekyll & Hyde. Got any questions?
Over the last five years, 13-time Offie-nominated Arrows & Traps have become a regular fixture both on the London Fringe scene and on this blog. And the good news is they’re not going anywhere;
If Taro is to be Arrows & Traps’ final production, then it’s a hell of a high note to go out on. Bringing together so much of what has made them an enjoyable and enlightening company to follow.
Taro focuses on an incredible life honoured by a gorgeous, goosebump-inducing production – you really don’t want to miss this one.
Gentleman Jack and Taro, both written by Ross McGregor, artistic director of Arrows & Traps Theatre Company, celebrate wildly different women but, at their heart, they share a common theme.
Written and directed by Ross McGregor, Gentleman Jack looks at the truth behind a woman who was a pioneer in entrepreneurship, mountaineering and in some ways ‘a modern lesbian’.
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