From 12 November to 19 December 2020 London’s Royal Court Theatre will reopens its doors with new socially distanced live performances around the building under the title Living Newspaper: A Counter Narrative.
We are living, I have frequently been told, through weird times. Maybe. But do weird times necessarily require weird art? Do bad times provoke bad art?
The idea of re-performing Lungs while the actors safely socially distance got me thinking about other plays which have been performed over the past year or two that could be similarly revived.
‘Theatre is everywhere. It is regional. It is rural. It is poor. Now it is in your front room, it can be from anywhere.’
The theatre industry’s fightback was raised to a new level as, after more than two months of enforced venue closures, leaders coordinated efforts to pressure the government for further support, and DCMS appointed a new commissioner for Cultural Recovery.
There is no denying that Cyprus Avenue is a powerful drama about struggling with identity and prejudice that makes for chilling viewing from start to finish.
Love London Love Culture rounds up the reviews for E.V.Crowe’s new play Shoe Lady, playing for a strictly limited three-week run at the Royal Court Theatre.
Here’s LLLC’s weekly guide to some of the shows you might want to book tickets for includes The Wedding Singer at Troubadour Wembley Park Theatre:, Endgame at the Old Vic and The Seagull at the Playhouse Theatre.
Katherine Parkinson and Kayla Meikle have been cast in the world premiere of Shoe Lady written by E.V. Crowe and directed by Royal Court artistic director Vicky Featherstone.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre including Maryam Philpott’s thoughts about Conor McPherson’s emphasis on comedy scenarios and personalities in his adaptation of Chekhov’s timeless play Uncle Vanya at the Harold Pinter Theatre
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre including Love London Love Culture’s delight at watching Jamie Lloyd’s razor sharp West End production of Cyrano de Bergerac.
While A Kind of People generates a lot of laughter it is nonetheless an uncompromising reflection of modern British society that sometimes makes for uncomfortable viewing.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 17 November 2019) including Ian Foster’s delight at the arrival of Mary Poppins to its original West End home.
On Bear Ridge, Ed Thomas’ story of being left behind and trying to hold onto the memories that give us a sense of self, is crafted at the Royal Court Theatre with care and sensitivity.
Glass. Kill. Bluebeard. Imp creates an essential piece of new writing – edgy, haunting and disconcertingly relevant and Caryl Churchill, at the age of 81, is still the playwright for our times.
Inventive, hilarious and totally contemporary, Seven Methods of Killing Kylie Jenner is art that above all needs to be seen by everyone.
London’s theatre scene is awash with productions which offer a ‘fresh’ take on classics but Jasmine Lee-Jones’ play Seven Methods of Killing Kylie Jenner demonstrates exactly what really ‘fresh’ theatre is – and should be.
We round up the reviews for the debut play from Jasmine Lee-Jones, Seven Methods of Killing Kylie Jenner, now playing at the Royal Court Theatre.
WhitePearl’s discussion around beauty standards in the eastern market compared to the western one is complex and yet, still, incredibly similar.
Love London Love Culture rounds up the reviews for Selina Thompson’s award winning play salt, now playing at the Royal Court Theatre.