Alex Austin has been cast as Heathcliff opposite Rakhee Sharma as Cathy in the new stage adaptation of Emily Brontë’s Wuthering Heights by Bruntwood Prize winning writer Andrew Sheridan at Manchester’s Royal Exchange Theatre.
Top theatres across the UK, including nominees from London, Manchester, Nottingham, Wales and Scotland, have made the shortlist for The Stage Awards 2019.
Mark Shenton offers the week’s news, reviews, quotes and tweets in theatre from both sides of the Atlantic, including an interview with Sonia Friedman, reviews of Shakespeare in three different abbreviated versions, and a YouTube star appearing on Broadway.
With this production of The Cherry Orchard, the Royal Exchange once again takes an important classic and makes it wonderfully accessible and relevant to the modern age. It is highly recommended.
What a fascinating and critical examination of British identity as well as black identity Black Men Walking at the Royal Court is.
Inspired by a real-life Sheffield-based black men’s walking group, Black Men Walking is an influential and compelling brand new play written by Leeds-based rapper and theatre-maker Testament (aka Andy Brooks) in collaboration with Eclipse Theatre Company.
Much of my ‘touring’ has been concentrated in Bristol and Chichester; there are a few other UK venues to add to the list, as well as some from my week in New York, of course.
Michael Buffong’s reinterpretation of Guys and Dolls, a co-production between the Royal Exchange and Talawa Theatre, is just that, a bold re-envisioning of the classic musical that consequently comes up with something different.
This Guys and Dolls is the perfect feel-good Christmas production. Playing out in-the-round on the Royal Exchange’s iconic stage, you’ll be left with a spring in your step and a smile on your face long after leaving the theatre. This is a performance that should not be missed.
This Christmas director Michael Buffong transports GUYS AND DOLLS uptown to 1939 Harlem in the UK’s first all-black cast production of this iconic 1950 Broadway musical classic, which has been reimagined and developed with the award-winning hip-hop dancer and choreographer Kenrick ‘H20’ Sandy.
The Lyric Hammersmith has announced their 2018 season comprising a new adaptation, an innovative Shakespeare staging, a major festival production, a stunning revival, an award-winning contemporary opera and a brand new dance production.
It seems everyone has a first memory of Thornton Wilder’s Our Town. Mine, in typical style is mildly embarrassing and reveals me to be the uncultured swine I so often am. It was my third year in University, which happened to be my ‘Study Abroad’ year. …
Fatherland has been described as a verbatim piece, though it is unclear how much the stories have been edited to fit the trio’s own agenda.
The Royal Court Theatre has today announced new season of work for autumn/winter 2017/18. The programme includes five world premieres.
Manchester’s Royal Exchange announces its striking Autumn and Winter Season 2017 under Artistic Director Sarah Frankcom, who brings together distinctive theatre makers from across the UK to make work that celebrates the similarity found in our differences,
Anchored by a properly star-making and heart-breaking performance from Kaisa Hammarlund, Derek Bond’s Royal Exchange production of Sweet Charity just works.
Gypsy will deﬁnitely go down as one of my career highlights! It was one of those extraordinary moments when the planets aligned and every element came together gloriously.
I’ve not been here with my usual weekly diary of a theatre addict for a month now. So today I’m catching up, not on a week, but on an entire month — during which time I’ve been to Edinburgh, Barbados, New York, Eastbourne and of course London. I’ve interviewed Andy Nyman, Sheridan Smith, Joe McElderry, composer Lucy Simon, Janie Dee and Diana Rigg.
I’ve been out and about over the pre- and post-Christmas week, including trips to Brighton, Manchester and Leeds, with lots of catching up to do in London, too.
I’ve been consciously taking it easy (or at least easier than I usually do!) over the last week after dislocating my newly replaced hip the week before, as I described in a posting here last week was a bit of a wake-up call — I had actually scheduled some ten shows (including out-of-town trips to Leicester and Leeds) just ten days after coming out hospital the first time; but then had the wake-up call that took me out of commission entirely.
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