#WeAreArrested, a new RSC adaptation of Turkish editor Can Dündar’s prison memoir, is beautifully written and simply staged.
After several years’ development, the Royal Shakespeare Company’s highly anticipated new musical – an adaptation of best-selling children’s author David Walliams‘ 2008 debut novel The Boy in the Dress with a book by Mark Ravenhill and music and lyrics by chart-topping songwriters Robbie Williams and Guy Chambers – is gearing up for its world premiere. Ahead of […]
As the RSC’s latest staging of Shakespeare’s The Taming of the Shrew, here’s a throwback to when Mate Terri Paddock chaired a fascinating panel discussion in Stratford-upon-Avon around the themes in the play and production.
The Royal Shakespeare Company has announced its schedule for summer 2020, a season of Shakespeare plays exploring separation, loss and deep bonds of family.
The Royal Shakespeare Company has announced its decision to conclude its partnership with BP at the end of this year. BP have supported the RSC’s £5 ticket scheme for 16 to 25 year olds since 2013. Talking about the decision, RSC artistic director Gregory Doran and executive director Catherine Mallyon said: “Over many months we have listened to a wide and varied range of voices …
Rufus Hound, Irvine Iqbal, Natasha Lewis and Forbes Masson have been cast in The Boy in the Dress, the Royal Shakespeare Company’s new musical which runs in the Royal Shakespeare Theatre from 8 November 2019 to 8 March 2020 (press night is 27 November).
Gregory Doran’s timely and riveting adaptation of Measure for Measure is filled with laugh-out-loud humour, but there is also a bleaker side to it that makes it very much a play for today.
If, like me, you still love to stick your head in a book and long to remember the days you could read for hours unencumbered by the worries of the world then get along and see Matilda The Musical, a kindred spirit’s story writ large across the Southampton stage.
Two days after Shakespeare’s birthday (23 April), I’ll still be celebrating the bard myself as I make my Royal Shakespeare Company ‘debut’ chairing a panel discussion in Stratford-upon-Avon connected with their new production of The Taming of the Shrew.
This is a Macbeth that emphasises the psychological horror of the story. It is a brutal and murderous play, but priority is given to the effects of the violence rather than the violence itself.
Mark Shenton rounds up news, reviews & tweets of the week from London, New York & beyond including a life-size first birthday cake of John McCrea at Everybody’s Talking About Jamie and the opening of King Kong on Broadway.
Apparently, 2018 is the ‘Year of the Woman’, and it has definitely felt like the world of theatre has stepped up for the occasion.
RSC artistic director Gregory Doran announced today his ambition for a new collaborative cross-cast ensemble which reflects the nation, to play three Shakespeare productions in a newly reconfigured Royal Shakespeare Theatre next summer.
A great pleasure of Fiona Laird’s production of The Merry Wives of Windsor, ceaselessly funny and over-the-top, is that it reminds you that Shakespeare is the honoured ancestor of a hundred sitcoms.
This is certainly a major theatrical event — Cicero’s speeches, with their mixture of sarcasm and idealism, are great, but not everyone will enjoy the comic interpretation of some of these characters, and the storytelling does get a bit bogged down in the second part.
The life of an extraordinary man living through an extraordinary age is too large for one play, and here the latter two novels of Robert Harris’ Cicero trilogy are adapted into two separate plays (Conspirator and Dictator).
Imperium is a powerful production of a story that is strikingly relatable to audiences watching it in 2018. A brilliant and lavish production – highly recommended.
David Threlfall and Rufus Hound will reprise their lead roles in the Royal Shakespeare Company’s Don Quixote when the production transfers to London’s Garrick Theatre from 27 October 2018 to 2 February 2019.
I was glad to see the RSC’s recent Twelfth Night (starring Adrian Edmondson and Kara Tointon) has become part of its CD collection, saving several musical performances and songs for eternity
Polly Findlay pulls out all the stops for her visually enticing production of Macbeth for the Royal Shakespeare Company.