A musical about loss of rights, freedoms and humanity as a far-right populist party takes over a once-liberal society? Nothing familiar about that…
So put “down your knitting, the book and the broom” and rush to the Churchill to see this awesome production of sex, violence, love, friendship, sadness, prejudice that proves life is a Cabaret.
What a pleasure to see Rufus Norris’ award winning production of Kander and Ebb’s Cabaret at the Churchill Theatre in Bromley.
Rather tickled that no less than the artistic director of the National Theatre Rufus Norris himself does time out of his hectic schedule to answer Ten (9) Questions for Ten Years.
Where were you 10 years ago?
I’d just directed Death and the King’s Horseman by Wole Soyinka in the Olivier Theatre.
Best show you’ve seen in the last 10 years?
An impossible question to answer but if I had to pick one it would be Pericles (Public Acts) in the Olivier last year.
What has been your professional highlight of the last 10 years?
Becoming Director of the National Theatre and London Road.
Top flavour of interval ice-cream?
What show do you wish theatres would give a rest for a few years?
Many plays have the potential to be boring or resonant so it’s the creative team’s role to bring a play to fresh life.
Name someone who you think is a really underappreciated talent (in the world of theatre)?
There are so many unsung heroes working within theatre, from the technical teams behind-the-scenes making magic happen on stage, to those ensuring the smooth running of a building, I’m always amazed by their commitment. A few people who come to mind are Erin Lee in Archive, Nicky Holderness in Props and the set builder Simon.
What is one thing that you think would help theatre survive and/or thrive the next ten years?
An education system that recognises the huge benefit that only the arts can deliver, and a shift in philosophy that correctly views subsidy as investment for the good of this country.
Which is your favourite theatre?
The National Theatre, of course. I also love the Royal Exchange in Manchester.
Can you say anything about what’s to come for you, (in the next ten years or otherwise)?
Loads of plays including our next Public Acts show As You Like It with a cast of 100 community members at the Queens Theatre in Hornchurch. Hopefully a little time spent in nature in between.
Like this:Like Loading…
Let’s block ads! (Why?)
Small Island is an absolute joy and an overdue, no reservations at all, win for Rufus Norris at the NT. There’s nothing else to say. Well except this: you must see it, immediately.
Small Island is a terrific yarn, both romantic and tough, about history and Empire and sex and frustration, escape and hope and love and racism: about promises turned to dross and the great seas of misunderstanding that roll between people.
The stage version of Andrea Levy’s classic Windrush story is a fun epic that takes ages and ages to warm up.
Love London Love Culture rounds up the reviews for Helen Edmundson’s stage adaptation of Andrea Levy’s Orange Prize-winning novel, Small Island.
Christopher Haydon, the former artistic director of the Gate Theatre in London, has written the book About The Art of the Artistic Director.
Meghan Markle, Duchess of Sussex has made her first official visit to the National Theatre. Earlier this month The Duchess was announced as Patron of the National Theatre, one of two Patronages passed on to her by The Queen.
Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre, as part of the National Theatre’s new season.
The National Theatre has announced that Meghan Markle, Duchess of Sussex has become its Royal Patron. The patronage reflects the former American TV star’s belief in using the arts to bring people from different backgrounds and communities together.
Rufus Norris has unveiled the National Theatre’s plans for 2019 and beyond. Highlights include the world premiere of Small Island adapted by Helen Edmundson from Andrea Levy’s novel, directed by Rufus Norris.
Mark Shenton rounds up the latest news, reviews, podcasts and more from London and Broadway, including Prince Harry at Hamilton and Lin-Manuel Miranda at Southwark Playhouse.
News, reviews, controversies and interviews of the week from London to Broadway, by way of Edinburgh, including the ‘banning’ of Mazz Murray from singing a song from Dreamgirls, Edinburgh venue pay rates, and a 70-year-old Broadway understudy getting the lead.
Artistic Director of the National Theatre Rufus Norris met with invited guests this week at the Theatre Royal Bath to talk about the touring production of Macbeth and his vision and passion. I was present and captured both his talk and an interview with Norris.
Macbeth at the National Theatre is a dystopian look at one of Shakespeare’s most well-known plays, ushering in a new dark age in the aftermath of civil war – Anne-Marie Duff and Nicholas Karimi truly lead the way with compelling performances.
Rory Kinnear and Anne-Marie Duff star as the Macbeths in this new production directed by Rufus Norris at the National Theatre until 23 June. But what have the critics had to say about it?
There is much to like and enjoy about this production of Macbeth, including inventive performances and strong ideas. However, Rufus Norris should probably play to his strengths as a director, which are many, and not feel he needs to transform into Nicholas Hytner as well.
If you’re a Shakespeare fan then there’s no reason why you shouldn’t go and judge Rufus Norris’ Macbeth for yourself, but if not then I wouldn’t rush along, as I don’t think this is the production to make you a fan.