I had a flash of a thought, ‘Oh please don’t let this be an anti-climax’, and in the safe hands of the Donmar Warehouse production team, I needn’t have worried. In fact, Constellations was more than I could have wanted.
I finally caught up with Michael Longhurst’s restaging of his 2012 Royal Court production of Nick Payne’s Constellations, a gem of a two-hander.
The Donmar West End production of Constellations launches its first two casts in Sheila Atim and Ivanno Jeremiah and Peter Capaldi and Zoë Wanamaker at the Vaudeville Theatre.
Donmar Warehouse artistic director Michael Longhurst will revive his acclaimed Royal Court, West End and Broadway production of Nick Payne’s Constellations which will run at the West End’s Vaudeville Theatre from 18 June to 12 September 2021.
Alfred Enoch and Russell Tovey enliven a digital take on Oscar Wilde’s The Picture of Dorian Gray.
Not only does it work as a standalone piece of digital theatre, this adaptation of The Picture of Dorian Gray is also really intelligently linked to the original story.
The co-producers of the upcoming digital adaptation of The Picture of Dorian Gray have today announced the production’s full casting and creative team. Joining previously announced Fionn Whitehead, in the title role, are Alfred Enoch as Harry Wotton, Joanna Lumley as Lady Narborough, Emma McDonald as Sibyl Vane and Russell Tovey as Basil Hallward with Stephen Fry as the Interviewer.
Back in April, part of Theatre Royal Stratford East’s response to the pandemic was to create a new type of project. They put out a call to key workers in the local community to share their stories via a video wall. Out of some of these writer Rebecca Lenkiewicz and director Nadia Fall have created a series of imagined monologues which have been filmed as No Masks.
Life on the lowest rung of the theatrical ladder. There are lots of in-jokes with digs at actors, directors, the rehearsal process, theatrical agents, critics and the site-specific trend.
I’m the last person on earth to utilise a football metaphor, but the recent Pinter at the Pinter press day (showcasing the first two of six productions of the prolific playwright’s one-act plays) is very much a game of two halves.
Impeccably acted and insightfully staged, Pinter Two a most effective double bill and a promising start to a season I may yet fall for more completely.
David Suchet, image copyright Marc Brenner The Lover / The Collection by Harold Pinter – Pinter Theatre, London Both these plays, part of Jamie Lloyd’s ingenious idea for a complete season of Harold Pinter’s short works, are from the early 1960s. Nearly 60 years later any normal playwright’s work would be showing its age, but … Continue reading The Lover / The Collection
News, reviews, interviews and farewells of the week in London, New York and the regions, including social media influencers, Pinter in the West End and more.
It seems anyone who is anyone has signed up for Jamie Lloyd’s ambitious season of Harold Pinter plays at the appropriately named Harold Pinter Theatre in the West End.
The Collection (and The Lover) still feel incredibly modern in their case-study observations on infidelity and subterfuge, even though none of the indiscretions seem particularly radical by today’s standards.
Pinter Two is a complete change of tone from its companion collection, moving from social politics to more familiar Pinter territory, relationship politics.
Further all-star casting has been announced for Jamie Lloyd Company’s Pinter at the Pinter, an unparalleled event featuring all twenty short plays written by Harold Pinter in the West End theatre that bears his name.
It feels important to recognise what the NT (and the Old Vic) were trying to achieve, though. Queer Theatre looked “at how theatre has charted the LGBT+ experience through a series of rehearsed readings, exhibitions, talks and screenings” and if only one looked at lesbian women, two of the readings were written by women.
Harrowing is barely the word to describe this dramatisation of the way in which the Nazis persecuted gay men in Germany before and during World War II.
The show is big. The glossy A4 programme is big, the set is big, the cast names are big and the length is big.
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