At first, Metta Theatre’s Little Mermaid may seem like a simplified interpretation of the Hans Christian Andersen classic, but beneath the surface lies a magical concoction of trapeze, aerial, and acrobatics. This beautiful reinvention of the popular tale presents the perfect mixture of expression through movement and vocals, whilst being engaging for all ages.
Rattigan’s truly powerful dialogue for The Winslow Boy, coupled with Kavanaugh’s subtle directing style, create a piece that is undeniably touching and that audiences will not be quick to forget.
Madama Butterfly is a captivating and moving production, go and see it and prepare to enjoy it whether you’re an opera veteran or novice.
Kate O’Donnell quite literally bares all in her new show, You’ve Changed, a hilarious and honest account of her transition in 2003. Using the backdrop of the 1930s to add a unique twist, O’Donnell explores how transitioning fourteen years ago felt a lot more like transitioning in the 1930s.
Spoken word, science and strip clubs combine to create Chanje Kunda’s one-woman cabaret show exploring the laws of attraction and the meaning of life.
Using a vibrant and intoxicating fusion of hip-hop, street dance, circus and storytelling, Metta’s Jungle Book is suitable for all ages 8 and up.
Derren’s Brown’s Underground brings together a collection of his previous and favourite stage work. However, do not let this put you off, for I would strongly predict that there is something new to be seen for even the most die-hard fan.
The adaption is set in a private school camping trip which I must admit, I did not realise until I read it in the programme. I feel the production was supposed to be contextualised within a certain setting, however, I felt it was staged rather randomly in a wood far away from any towns or villages.
Taha follows the inspiring story of Palestinian poet Taha Muhammed Ali (Amer Hlehel) – a story of humanity and hardship, hope and devastation, opportunity and misfortune, discovery and challenge, achievement and survival.
2017 marks the 170th anniversary of the publication of Charlotte Brontë’s most famous piece, a tale of passion, justice and madness set against the backdrop of Yorkshire’s haunting moors. Director Sally Cookson’s adaptation is set amongst a bare wooden frame, with platforms on varying levels used throughout the performance.
Storm Vera is battering the UK and people are being evacuated from their riverside homes following the imminent threat of severe flooding. With the promise that emergency services are on their way, five older age ladies wait patiently on the first floor of the Silver Retirement Home in Gravesend for help to arrive.
Based on Susan Hill’s novel of the same name, The Woman in Black is a chilling horror story that was adapted for the stage over 27 years ago. And yet, the late Stephen Mallatratt’s adaptation remains as poignant and terrifying as it has for many years.
There is no bigger story than a mother being made to give up her baby for adoption and this is exactly the premise of Amanda Whittington’s play, Be My Baby. Set in the so-called swinging sixties, a defining decade when young people were just being given a voice and expression, mother and baby homes still existed.
Now in their 90th year, Rambert continue to lead the dance world with their exhilarating and innovative dance works. Back in 1966, the company changed their artistic focus from classical to contemporary.
Since 2008, Walliams has taken the children’s literary world by storm – writing nine children’s books and selling more than 12.5 million copies worldwide. Children (and grown-ups) love his books and it was clear to see that this stage show was also well received. Gangsta Granny has been a staple read in our house.
Playing as part of the Roundabout Season at The Lowry, Colour The Clouds Theatre Company are back with their new production Maggie and the Song of The Sea. Recommended for those aged seven and over, Maggie and the Song of the Sea explores bereavement through the eyes of a child. Colour The Clouds Theatre have been able to develop this important and universal piece of theatre with the full support of Winston’s Wish, The Charity for Bereaved Children.