Here are Shane Morgan’s picks of how 2020 in theatre has continued to do what it does best: transporting us by engaging the heart, mind and soul.
Reading that the Globe may struggle to come back from this current crisis without the help of donations and emergency funding didn’t seem quite real.
Love London Love Culture rounds up the reviews for Thomas Middleton’s Jacobean drama, Women Beware Women.
Mind the Blog has a fairly wide-ranging wish list of things I hope to see, including major shows such as Sunday in the Park with George, Evita, Magic Goes Wrong, Uncle Vanya and the Jamie Lloyd Company residency at the Playhouse Theatre.
Natalie Abrahami makes Ella Hickson’s text and Elizabeth’s story pulsate with the sound of a young woman for whom insecurity runs in every fibre of her being.
Bartholomew Fair is full of energy and highly entertaining throughout, while making no attempt to glamorise the city’s underbelly.
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Bartholomew Fair, now playing at the Sam Wanamaker Playhouse.
Discover what critics made of Adjoa Andoh and Lynette Linton’s new production of Richard II at the Sam Wanamaker Playhouse.
Love London Love Culture rounds up the reviews for Nick Bagnall’s production of Edward II at Shakespeare’s Globe.
I love Christopher Marlowe. I love the raciness and rebel in him. And sometimes, particularly in Paulette Randall’s reframed version here at Shakespeare’s Globe with Doctor Faustus.
Paulette Randall’s gender-swap, colour-blind, version of Christopher Marlowe’s fiendish morality tale Doctor Faustus succeeds in ticking a lot of trendy boxes but fails to create innovative, or even interesting, theatre.
Opening in London this month is the transfer of the NT’s Nine Night (now at Trafalgar Studios), Jailbirds at the Etcetera Theatre, Pinocchio at The Albany, One For The Road at the Rosemary Branch, Orpheus at Battersea Arts Centre and Pinter 5 & 6 will arrive at the Harold Pinter Theatre.
Robert Hastie directs Michelle Terry and Paul Ready in this new production of Shakespeare’s Macbeth. Love London Love Culture rounds up the reviews…
Here in Robert Hastie’s careful production of Macbeth is all the horror, psychological acuity and profound, terrified morality of Shakespeare’s darkest play.
Nick Bagnall directs this new production of Love’s Labour’s Lost, starring Charlotte Mills, Leaphia Darko and Tom Kanji. Love London Love Culture rounds up the reviews…
Love’s Labour’s Lost is altogether good fayre and definitely a crowd-pleaser. Michelle Terry’s tenure at The Globe continues to gallop confidently forward with this romp of a show.
Lots of different things opening across the country in March. In London there are a lot of Fringe and Off West End productions coming your way.
Filled with passion and politics, Barrie Rutter directs this new re-imagination of John Dryden’s Restoration drama at the Sam Wanamaker Playhouse until 4 March. Here’s what critics have had to say about it…
Caroline Byrne directs this new production of All’s Well That Ends Well – Shakespeare’s tale of rebellion and determination – at the Sam Wanamaker Playhouse at Shakespeare’s Globe, running until 3 March 2018. Here’s what critics thought…
What is personally the most galling is the programming of Twelfth Night. Emma Rice’s production was my favourite show of 2017. It almost feels like they’re trying to brush it under the carpet by putting it on again so soon.