Reading that the Globe may struggle to come back from this current crisis without the help of donations and emergency funding didn’t seem quite real.
REVIEW ROUND-UP: Women Beware Women at Sam Wanamaker Playhouse
Love London Love Culture rounds up the reviews for Thomas Middleton’s Jacobean drama, Women Beware Women.
Mind the Blog reflects on a theatre wish list for 2020
Mind the Blog has a fairly wide-ranging wish list of things I hope to see, including major shows such as Sunday in the Park with George, Evita, Magic Goes Wrong, Uncle Vanya and the Jamie Lloyd Company residency at the Playhouse Theatre.
‘Simply delicious’: SWIVE – Shakespeare’s Globe ★★★★
Natalie Abrahami makes Ella Hickson’s text and Elizabeth’s story pulsate with the sound of a young woman for whom insecurity runs in every fibre of her being.
‘Gets the atmosphere right’: BARTHOLOMEW FAIR – Sam Wanamaker Playhouse
Bartholomew Fair is full of energy and highly entertaining throughout, while making no attempt to glamorise the city’s underbelly.
REVIEW ROUND-UP: Bartholomew Fair at Sam Wanamaker Playhouse
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Bartholomew Fair, now playing at the Sam Wanamaker Playhouse.
REVIEW ROUND-UP: Richard II at Shakespeare’s Globe
Discover what critics made of Adjoa Andoh and Lynette Linton’s new production of Richard II at the Sam Wanamaker Playhouse.
REVIEW ROUND-UP – Edward II at Shakespeare’s Globe
Love London Love Culture rounds up the reviews for Nick Bagnall’s production of Edward II at Shakespeare’s Globe.
‘Wholly new & refreshing’: DOCTOR FAUSTUS – Shakespeare’s Globe ★★★
I love Christopher Marlowe. I love the raciness and rebel in him. And sometimes, particularly in Paulette Randall’s reframed version here at Shakespeare’s Globe with Doctor Faustus.
‘Fails to entirely convince’: DOCTOR FAUSTUS – Shakespeare’s Globe
Paulette Randall’s gender-swap, colour-blind, version of Christopher Marlowe’s fiendish morality tale Doctor Faustus succeeds in ticking a lot of trendy boxes but fails to create innovative, or even interesting, theatre.
What’s Debbie looking forward to in December 2018?
Opening in London this month is the transfer of the NT’s Nine Night (now at Trafalgar Studios), Jailbirds at the Etcetera Theatre, Pinocchio at The Albany, One For The Road at the Rosemary Branch, Orpheus at Battersea Arts Centre and Pinter 5 & 6 will arrive at the Harold Pinter Theatre.
REVIEW ROUND-UP: Macbeth at the Sam Wanamaker Playhouse
Robert Hastie directs Michelle Terry and Paul Ready in this new production of Shakespeare’s Macbeth. Love London Love Culture rounds up the reviews…
‘The play comes back, timeless and terrifying’: MACBETH – Sam Wanamaker Playhouse ★★★★
Here in Robert Hastie’s careful production of Macbeth is all the horror, psychological acuity and profound, terrified morality of Shakespeare’s darkest play.
REVIEW ROUND-UP: Love’s Labour’s Lost at Shakespeare’s Globe
Nick Bagnall directs this new production of Love’s Labour’s Lost, starring Charlotte Mills, Leaphia Darko and Tom Kanji. Love London Love Culture rounds up the reviews…
‘Altogether good fayre & definitely a crowd-pleaser’: LOVE’S LABOUR’S LOST – Shakespeare’s Globe ★★★★
Love’s Labour’s Lost is altogether good fayre and definitely a crowd-pleaser. Michelle Terry’s tenure at The Globe continues to gallop confidently forward with this romp of a show.
From The Country Wife to Olivier Award nominations: What to look out for in March
Lots of different things opening across the country in March. In London there are a lot of Fringe and Off West End productions coming your way.
REVIEW ROUND–UP: The Captive Queen at the Sam Wanamaker Playhouse
Filled with passion and politics, Barrie Rutter directs this new re-imagination of John Dryden’s Restoration drama at the Sam Wanamaker Playhouse until 4 March. Here’s what critics have had to say about it…
REVIEW ROUND-UP: All’s Well That Ends Well at Shakespeare’s Globe
Caroline Byrne directs this new production of All’s Well That Ends Well – Shakespeare’s tale of rebellion and determination – at the Sam Wanamaker Playhouse at Shakespeare’s Globe, running until 3 March 2018. Here’s what critics thought…
“Who’s there?” Thoughts on The Globe’s new vision & programming
What is personally the most galling is the programming of Twelfth Night. Emma Rice’s production was my favourite show of 2017. It almost feels like they’re trying to brush it under the carpet by putting it on again so soon.
What to see in in 2018
Well, we’re all still here… The big red button hasn’t been pushed yet and theatre is better than ever! But what’s coming up this year?