Discover what critics made of Adjoa Andoh and Lynette Linton’s new production of Richard II at the Sam Wanamaker Playhouse.
REVIEW ROUND-UP – Edward II at Shakespeare’s Globe
Love London Love Culture rounds up the reviews for Nick Bagnall’s production of Edward II at Shakespeare’s Globe.
‘Wholly new & refreshing’: DOCTOR FAUSTUS – Shakespeare’s Globe ★★★
I love Christopher Marlowe. I love the raciness and rebel in him. And sometimes, particularly in Paulette Randall’s reframed version here at Shakespeare’s Globe with Doctor Faustus.
‘Fails to entirely convince’: DOCTOR FAUSTUS – Shakespeare’s Globe
Paulette Randall’s gender-swap, colour-blind, version of Christopher Marlowe’s fiendish morality tale Doctor Faustus succeeds in ticking a lot of trendy boxes but fails to create innovative, or even interesting, theatre.
What’s Debbie looking forward to in December 2018?
Opening in London this month is the transfer of the NT’s Nine Night (now at Trafalgar Studios), Jailbirds at the Etcetera Theatre, Pinocchio at The Albany, One For The Road at the Rosemary Branch, Orpheus at Battersea Arts Centre and Pinter 5 & 6 will arrive at the Harold Pinter Theatre.
REVIEW ROUND-UP: Macbeth at the Sam Wanamaker Playhouse
Robert Hastie directs Michelle Terry and Paul Ready in this new production of Shakespeare’s Macbeth. Love London Love Culture rounds up the reviews…
‘The play comes back, timeless and terrifying’: MACBETH – Sam Wanamaker Playhouse ★★★★
Here in Robert Hastie’s careful production of Macbeth is all the horror, psychological acuity and profound, terrified morality of Shakespeare’s darkest play.
REVIEW ROUND-UP: Love’s Labour’s Lost at Shakespeare’s Globe
Nick Bagnall directs this new production of Love’s Labour’s Lost, starring Charlotte Mills, Leaphia Darko and Tom Kanji. Love London Love Culture rounds up the reviews…
‘Altogether good fayre & definitely a crowd-pleaser’: LOVE’S LABOUR’S LOST – Shakespeare’s Globe ★★★★
Love’s Labour’s Lost is altogether good fayre and definitely a crowd-pleaser. Michelle Terry’s tenure at The Globe continues to gallop confidently forward with this romp of a show.
From The Country Wife to Olivier Award nominations: What to look out for in March
Lots of different things opening across the country in March. In London there are a lot of Fringe and Off West End productions coming your way.
REVIEW ROUND–UP: The Captive Queen at the Sam Wanamaker Playhouse
Filled with passion and politics, Barrie Rutter directs this new re-imagination of John Dryden’s Restoration drama at the Sam Wanamaker Playhouse until 4 March. Here’s what critics have had to say about it…
REVIEW ROUND-UP: All’s Well That Ends Well at Shakespeare’s Globe
Caroline Byrne directs this new production of All’s Well That Ends Well – Shakespeare’s tale of rebellion and determination – at the Sam Wanamaker Playhouse at Shakespeare’s Globe, running until 3 March 2018. Here’s what critics thought…
“Who’s there?” Thoughts on The Globe’s new vision & programming
What is personally the most galling is the programming of Twelfth Night. Emma Rice’s production was my favourite show of 2017. It almost feels like they’re trying to brush it under the carpet by putting it on again so soon.
What to see in in 2018
Well, we’re all still here… The big red button hasn’t been pushed yet and theatre is better than ever! But what’s coming up this year?
Mind the Blog’s best shows of 2017
Any number of shows could have been included in this post; frankly it’s ludicrous that I decided to stick with my whole top 12 idea… As I’ve seen about 90 more individual shows than last year.
Text of the Day: The Secret Theatre
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
What’s made Victoria’s #TopTen shows for December 2017?
What’s made Victoria Sadler’s top ten theatre recommendations for new shows in December 2017? Well, Hamilton, of course. But also The Twilight Zone, Parliament Square, Misalliance, How to Win Against History, Callisto: A Queer Epic and…?
THE SECRET THEATRE – Sam Wanamaker Playhouse
The parallel is everywhere. There’s the sense that as new money and people flow to London, so do new heresies and threats; the way that spooks can spook governments into fresh paranoia, and the feeling that tricky populations can be quietened by “a royal wedding, and setting the poor against recent immigrants”.
ROMANTICS ANONYMOUS – Shakespeare’s Globe
Frankly, you can’t ignore the fact that every time you see it you get a free piece of chocolate. As long as you have the patience to wait for “le moment de magique” before you eat it.
THE SECRET THEATRE – Sam Wanamaker Playhouse
Set in the 1580s, the play shows how Walsingham’s defense of Elizabeth from Catholic plots and assassination attempts results in hunting down the Jesuit missionary Robert Southwell, the revelation of the Babington plot and the execution of Mary Queen of Scots, followed by the death of Sir Philip Sidney (Walsingham’s son-in-law) and the repulsion of the Spanish Armada.