In OPEN Ealing’s Love Screens – three short plays that are written by Nicolas Ridley and directed by Anthony Shrubsall – relationships are placed under the microscope: those that have run their course, those that have remained in a state of inertia and those that may blossom, given the right circumstances.
Claire Louise Amias’ pair of plays, The Masks of Aphra Behn and Oranges & Ink, resurrect Aphra Behn from a place of relative obscurity into sharp relief as a chatty, warm, and witty raconteur.
One of the things I love about the Glass Splinters evenings is the variety of hitherto ‘unknown’ stories that are unearthed. Far from being recent participants in world events, Glass Splinters shows women have always been at the forefront of scientific discoveries, cultural revolutions and literary milestones.
We’re in Paris and it’s the swinging sixties and Bernard, a bachelor and highly successful Parisian architect, is flying by the tail wind of the Jet Age. With three fiancées, who are all air hostesses for different airlines and flying on different routes, he has managed to ensure that only one of the women is ‘at home’ in Paris at any one time. However, with the dawn of newer planes and faster aircraft, Bernard’s carefully timetabled system is put under severe pressure.