The Quality of Mercy, a new one-man play about notorious British serial killer Harold Shipman, premieres at London’s Courtyard Theatre this month. Taking a break from rehearsals, writer and performer Edwin Flay told us more about his very personal family connection to Shipman’s crimes.
A new one-man play about notorious British serial killer Harold Shipman, written by a former patient and relative of one of his victims, receives its world premiere this month in London. Time to get booking!
Oxia Theatre, a new company founded by graduates of RADA’s MA Theatre Laboratory, makes its debut next week at Golden Goose Theatre with the premiere of Assisted.
Written by Gail Louw, the good dad (a love story) is a compelling piece about the devastating impact sexual abuse and incest has on 3 different women. It is a masterclass in shifting perspectives that add new nuance and intrigue to what would otherwise be a horribly bleak story. Donna was sexually abused and raped from childhood by her Dad. Her twin sister Carol surely must have suspected something, why didn’t she say anything? Or did she? And her mother, well lets just say she sees Donna as the other woman. As time goes by, and Donna can see her Dad falling back into recognisable patterns, it is up to her to do something about it. Except that isn’t where we start, we start at the end and look back, with the story told from the rubble of these 3 women’s lives.
In OPEN Ealing’s Love Screens – three short plays that are written by Nicolas Ridley and directed by Anthony Shrubsall – relationships are placed under the microscope: those that have run their course, those that have remained in a state of inertia and those that may blossom, given the right circumstances.
Claire Louise Amias’ pair of plays, The Masks of Aphra Behn and Oranges & Ink, resurrect Aphra Behn from a place of relative obscurity into sharp relief as a chatty, warm, and witty raconteur.
One of the things I love about the Glass Splinters evenings is the variety of hitherto ‘unknown’ stories that are unearthed. Far from being recent participants in world events, Glass Splinters shows women have always been at the forefront of scientific discoveries, cultural revolutions and literary milestones.
We’re in Paris and it’s the swinging sixties and Bernard, a bachelor and highly successful Parisian architect, is flying by the tail wind of the Jet Age. With three fiancées, who are all air hostesses for different airlines and flying on different routes, he has managed to ensure that only one of the women is ‘at home’ in Paris at any one time. However, with the dawn of newer planes and faster aircraft, Bernard’s carefully timetabled system is put under severe pressure.