Late Night Staring At High Res Pixels is a dense and intense piece of work which examines the interplay of relationships but leaves the audience to come to its own conclusions about the motivations and intentions of the characters.
From online festivals to streaming platforms, here’s a digital theatre catch-up to lift your spirits
Welcome to our first 2021 round-up of digital shows available for you to watch in the next few weeks.
From large-scale musicals to Zoom experiences, student showcases to the Bard, film and comedy, children’s theatre to audio pieces, storytelling to…
‘Consistently delivers’: THIS EVIL THING (Online review)
Michael Mears’ committed and well thought out piece This Evil Thing about a tricky subject is dealt with empathetically and entertainingly.
‘Directed with a sense of passion & integrity’: S-27 – Finborough Theatre (Online review)
The Finborough is to be congratulated for delving back and finding thought-provoking piece S-27 to release and extend its winning run of past triumphs.
20 of the things that inspired, moved, amused & delighted John Chapman in 2020
I’ve selected 20 of the things that inspired, moved, amused and delighted, which have pushed the boundaries of what it possible and continued to fly the flag for theatre in the UK.
‘Clever as well as disarming’: FRIGHTENERS – Spontaneous Productions Theatre Company (Online review)
Having had a day to recover (!), I headed back for the second tranche of Frighteners from the Spontaneous Productions Theatre Company, highlighted as part of Scenesaver’s Fright Night programme for Halloween.
‘Paul Kennedy gives a performance of note’: CONTINUITY – Finborough Theatre (Online review)
Continuity is just one of the online plays available from the Finborough Theatre’s repertoire. It is not an easy watch but has many important points to make about political and personal beliefs and is a worthy addition to the theatre’s growing roster of material which challenges and provokes.
‘A complex & fascinating character from the Stuart era’: THE MASKS OF APHRA BEHN / ORANGES & INK (Online review)
Claire Louise Amias’ pair of plays, The Masks of Aphra Behn and Oranges & Ink, resurrect Aphra Behn from a place of relative obscurity into sharp relief as a chatty, warm, and witty raconteur.
Are the OnComms the template for theatrical awards in ‘the new normal’?
The current circumstances mean that there are questions about whether there will even be a usual theatre awards season next winter/spring, especially as there may, ostensibly, be little to give awards for. However, one scheme has stepped blinking into the light.