A frankly implausible plot, that breaks several of the cardinal rules of crime fiction, is largely overcome by the committed performances in Saughtonhall Drama Group’s Nightmare.
Clever: There’s plenty of life and bundles of irony in the latest production of Marie Jones’ magnificent two-hander, Stones In His Pockets, now on a major UK tour.
Whether you know the story or not, The Girl On the Train will keep you on the edge of your seat right up until the end.
Local Hero, the Lyceum’s co-production with the Old Vic, has the authenticity and drive one would expect considering the source material, but fails to add much that is new.
Joseph and the Amazing Technicolor Dreamcoat proves it’s still at the top of its game as it returns to the Playhouse – again – over 50 years since it first launched.
Birmingham Royal Ballet puts on a truly magical and haunting performance of David Bintley’s Beauty & the Beast.
A refreshingly strong turn from Rebekah Lowings ensures that the latest touring production of Ghost The Musical is alive and vibrant at the Festival Theatre, despite the show’s cloying sentimentality.
Trailing clouds of glory from the 2018 Fringe, David Ireland’s Ulster American has returned to the Traverse with a bang. If it is not quite as good as some have said, it is still impressive – and certainly is impressively nasty.
Never mind your eyes, your ears will adore the tour of Jersey Boys which has arrived at the Edinburgh Playhouse for a fortnight turn.
The Lady Vanishes, but audiences won’t as a stage version of Alfred Hitchcock’s beloved thriller comes to the King’s as part of its UK tour.
Art is everything a high-profile touring show should be – a carefully thought out, well-directed production of a hit play featuring a big-name cast at the top of their game.
All the delight of the original picture book story of The Singing Mermaid who gets swept away in the circus is brought to the stage in this puppet adaptation from the Little Angel Theatre. And more.
The tenth anniversary tour of Green Day’s American Idiot kicks up a storm as this Selladoor production arrives at the Playhouse for a week.
There is a depth and grit to Touching The Void at the Lyceum that threatens to carry all before it.
A thought-provoking and inspiring piece of musical theatre, Glasgow Girls at the King’s Theatre feels more relevant than ever as it returns for a new tour.
There is much to admire about the staging of Mouthpiece at the Traverse, and even more about how it is acted. In the end, however, the play tantalises rather than delivers.
Beauty & the Beast comes to the King’s for the first time since 1946 in a pantomime that continues a classic run of hits and is sticking around well into January next year.
There is plenty of choice and bundles of energy at Nonsense Room Productions’ adaptation of the children’s picture book, You Choose, for Edinburgh’s Christmas at the Festival Square Spiegeltent until early January.
There’s a happy ending, beginning and indeed, middle, as Jack and the Beanstalk gets a Musselburgh makeover at the Brunton Theatre this festive season.
Old and new collide in Wendy & Peter Pan, a beautifully staged Lyceum Christmas production that combines originality with fidelity to the spirit of a much-loved classic.