Shakespeare’s Globe’s summer season 2020 will include Shakespeare’s Romeo & Juliet, Much Ado About Nothing, Twelfth Night and Antony & Cleopatra.
Best of the Blogs: Snowflake, Swive, Curtains & more
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 5 January 2020), including Aleks Sierz’s mixed feelings about Snowflake at the Kiln Theatre.
Mind the Blog reflects on a theatre wish list for 2020
Mind the Blog has a fairly wide-ranging wish list of things I hope to see, including major shows such as Sunday in the Park with George, Evita, Magic Goes Wrong, Uncle Vanya and the Jamie Lloyd Company residency at the Playhouse Theatre.
View From The Circle’s Top Ten Shows of the Year
It’s that time of year again… here’s View From the Circle’s Top Ten shows of 2019.
REVIEW ROUND-UP: Bartholomew Fair at Sam Wanamaker Playhouse
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Bartholomew Fair, now playing at the Sam Wanamaker Playhouse.
Text of the Day: Sam Wanamaker arrives on site
One from the archives: In 1988, excavations began on the site of Shakespeare’s Globe and the occasion called for a symbolic moment.
It’s been a summer of Shakespeare Dreams
“What angel wakes me from my flowery bed?” A plethora of productions of A Midsummer Night’s Dream, that’s what.
‘Psychedelic, fever-dream of an interpretation’: A MIDSUMMER NIGHT’S DREAM – Shakespeare’s Globe
Joyful, filthy, modern and messy – A Midsummer Night’s Dream at the Globe will no doubt separate those who like their Shakespeare more reserved from those desperate for fresher takes on these old plays, but this one is fun, vibrant, socially conscious and current, with excellent performances.
‘Carnival reaches Southwark’: A MIDSUMMER NIGHT’S DREAM – Shakespeare’s Globe ★★★★
Carnival reaches Southwark in this vibrant new A Midsummer Night’s Dream, with a lively cast &and colourful designs – and don’t get comfortable if you’re a groundling.
Best of the Blogs: Death of a Salesman, The Curious Case of Benjamin Button, Orpheus Descending & more
As part of a new series, our editor Lisa Martland picks out seven of her Top Picks from the last week of theatre (29 April-6 May 2019). Amidst her choices are two more West End productions of classic American drama: Arthur Miller’s Death of a Salesman at the Young Vic (Emily Garside) and Tennessee Williams’ Orpheus Descending at the Menier Chocolate Factory (Libby Purves).
‘A fresh perspective’: HENRY V – Shakespeare’s Globe ★★★★★
A fresh perspective on the classic Henry V, concluding Hal’s journey from errant prince to conquering king – an action-packed end to the trilogy.
‘Echoes through to modern-day instabilities’: HENRY IV PART 1 – Shakespeare’s Globe ★★★★★
Henry IV Part 1 is a fast-paced, fun production that speaks to our politically unstable times – a great way to start the new season.
Text of the Day: Emilia
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
‘Its power & its joy is in storytelling’: EMILIA – West End
It is not to diminish the historical elements, the research and indeed the politics of the play, to say that its power and its joy is in storytelling.
‘Is there anything on the London stage more gracefully eloquent?’: EMILIA – West End
It’s a rare moment of beautiful subtlety in a play that is more often considerably bolder in its sentiment, but it’s also a mark of just how nuanced Nicole Charles’ production and Morgan Lloyd Malcolm’s writing is.
NEWS: Elliott & Harper’s Company and Shakespeare’s Globe’s Emilia win at third annual Tonic Awards
Elliott & Harper Productions’ Company and Shakespeare’s Globe’s production of Emilia are among the recipients of the third annual Tonic Awards which have been announced at a ceremony held at The May Fair Hotel, hosted by Tracy Ann Oberman.
‘Shamelessly rousing & disappointingly crude’: EMILIA – West End
Triumphant, if crude, the West End transfer of Emilia is a heartfelt account of a Renaissance woman who has been hidden from history.
REVIEW ROUND-UP: Richard II at Shakespeare’s Globe
Discover what critics made of Adjoa Andoh and Lynette Linton’s new production of Richard II at the Sam Wanamaker Playhouse.
‘Intimacy largely works in the show’s favour’: EDWARD II – Shakespeare’s Globe
Though King Edward II’s sexuality and the history surrounding his death are disputed by historians, Nick Bagnall takes a definitive stance in Marlowe’s history play.
REVIEW ROUND-UP – Edward II at Shakespeare’s Globe
Love London Love Culture rounds up the reviews for Nick Bagnall’s production of Edward II at Shakespeare’s Globe.