Reading that the Globe may struggle to come back from this current crisis without the help of donations and emergency funding didn’t seem quite real.
The tragedy’s shades of light are teased out and played with, and much of this owes itself to Michelle Terry’s Hamlet.
Shakespeare’s Globe has been preparing a raft of new digital content to continue to engage its audiences with Shakespeare’s works. Shakespeare & Love in Isolation will see artists, in times of solitude and from their place of sanctuary, sharing some of the greatest words ever written. The series will be released as soon as possible, and artists involved include the creative team …
Shakespeare’s Globe’s summer season 2020 will include Shakespeare’s Romeo & Juliet, Much Ado About Nothing, Twelfth Night and Antony & Cleopatra.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 5 January 2020), including Aleks Sierz’s mixed feelings about Snowflake at the Kiln Theatre.
Mind the Blog has a fairly wide-ranging wish list of things I hope to see, including major shows such as Sunday in the Park with George, Evita, Magic Goes Wrong, Uncle Vanya and the Jamie Lloyd Company residency at the Playhouse Theatre.
It’s that time of year again… here’s View From the Circle’s Top Ten shows of 2019.
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Bartholomew Fair, now playing at the Sam Wanamaker Playhouse.
One from the archives: In 1988, excavations began on the site of Shakespeare’s Globe and the occasion called for a symbolic moment.
“What angel wakes me from my flowery bed?” A plethora of productions of A Midsummer Night’s Dream, that’s what.
Joyful, filthy, modern and messy – A Midsummer Night’s Dream at the Globe will no doubt separate those who like their Shakespeare more reserved from those desperate for fresher takes on these old plays, but this one is fun, vibrant, socially conscious and current, with excellent performances.
Carnival reaches Southwark in this vibrant new A Midsummer Night’s Dream, with a lively cast &and colourful designs – and don’t get comfortable if you’re a groundling.
As part of a new series, our editor Lisa Martland picks out seven of her Top Picks from the last week of theatre (29 April-6 May 2019). Amidst her choices are two more West End productions of classic American drama: Arthur Miller’s Death of a Salesman at the Young Vic (Emily Garside) and Tennessee Williams’ Orpheus Descending at the Menier Chocolate Factory (Libby Purves).
A fresh perspective on the classic Henry V, concluding Hal’s journey from errant prince to conquering king – an action-packed end to the trilogy.
Henry IV Part 1 is a fast-paced, fun production that speaks to our politically unstable times – a great way to start the new season.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
It is not to diminish the historical elements, the research and indeed the politics of the play, to say that its power and its joy is in storytelling.
It’s a rare moment of beautiful subtlety in a play that is more often considerably bolder in its sentiment, but it’s also a mark of just how nuanced Nicole Charles’ production and Morgan Lloyd Malcolm’s writing is.
Elliott & Harper Productions’ Company and Shakespeare’s Globe’s production of Emilia are among the recipients of the third annual Tonic Awards which have been announced at a ceremony held at The May Fair Hotel, hosted by Tracy Ann Oberman.
Triumphant, if crude, the West End transfer of Emilia is a heartfelt account of a Renaissance woman who has been hidden from history.