Hello Harry!, an online concert celebrating the incredible 40-year career of Harry Gabriel, the Shaftesbury Theatre’s Stage Door Keeper, was an absolute ray of sunshine.
Harry Gabriel is one of those unsung heroes in theatreland: the stage door keeper. Part surrogate parent, part nurse, part firm friend, they are the conduit between front and back of house, cast and crew, performer and fan.
In forty years at the Sha…
Fundraising concert Turn Up London, organised by Nicole Raquel Dennis and Ryan Carter, is a powerful reminder of how music and words can unite people as well as put across serious messages.
New musical #ZoologicalSociety, written by Vikki Stone and Kate Mulgrew, gets a well-timed concept album release.
The nominations have been announced for this year’s Olivier Awards which take place on 5 April 2020 at the Royal Albert Hall.
Andrew Scott, Sharon D. Clarke, Juliet Stevenson, Sam Tutty and Hammed Animashaun have won the top acting honours at the 2019 Critics’ Circle Theatre Awards.
Stage and screen star Ian McKellen has been named number one in The Stage 100, ‘the definitive guide to the most influential figures working in the UK theatre and performing arts industry today’. He is the first actor to ever top the list.
With a new year fast approaching, it is an interesting time to reflect on small changes across the theatre landscape in 2019 that will continue to shape how UK theatre will look as it moves into a new decade.
Marianne Elliott and Miranda Cromwell’s production of Death of a Salesman uncovers new layers to Arthur Miller’s intense and profound play.
Susie McKenna’s highly accomplished and atmospheric production of Blues in the Night is filled with heaps of personality and heart that is reflected in the stunning performances from all of the cast.
The highly acclaimed, sold-out Young Vic production of Arthur Miller’s Death of a Salesman will transfer to the Piccadilly Theatre from 24 October 2019 to 4 January 2020, with a press night on 4 November 2019.
Directed by Marianne (actual genius) Elliott and Miranda Cromwell and featuring an African American Loman family, this Death of a Salesman is the clearest, most moving and profound vision of this play I’ve ever seen.
This production of Death of a Salesman will become the stuff of legend, hopefully setting a precedent for future ‘classic’ revivals.
For anyone who has been under a rock for the last couple of years in London theatre, this stripping back to the essence of a classic is one of Marianne Elliott’s (many) talents. And here with Death of a Salesman, with co-director Miranda Cromwell, the play is written again from the ground up. Without changing a word.
For Death of a Salesman, one of Arthur Miller’s greatest plays about the hollowness of the American Dream, Marianne Elliott and Miranda Cromwell and their cast make it an impressive, even dynamic evening that lacks some subtleties but is never less than gripping.
We round up the reviews for the Young Vic’s production of Arthur Miller’s classic play Death of a Salesman.
It’s Marianne Elliott’s impressionistic approach that yields considerable insight into the themes of Death of a Salesman, the characters’ attachment to material possessions as indicators of success, and most especially to the physical home that contains their family history, which they have spent decades slowly paying-off.
This year’s Olivier Awards winners certainly highlighted the wonderful diversity in theatre this year – now can we please broadcast the full ceremony?
Come From Away, Company and The Inheritance led the way with four awards each at the Olivier Awards 2019 with Mastercard, announced at a ceremony tonight (Sunday 7 April) at London’s Royal Albert Hall, hosted by Jason Manford.
The 2004 Broadway musical Caroline, or Change has returned to London’s West End in a slick, entertaining production anchored by a sensational lead performance by Sharon D. Clarke.