Free to view on YouTube, this edition of The Showstoppers’ Alternative Eurovision for 2021, a week in advance of the main event, proves to be a dramatic sequel to last year’s shenanigans, but with stronger production values.
The Showstopper gang haves had a busy time of it in lockdown (including their Alternative Eurovision and an online musical improv) and now they are back for a residency at the Garrick Theatre on Monday nights.
There’s a reason Showstopper! won an Oliver Award; there’s a reason why this show (which on the tin has the potential to be messy) has been running for near enough 12 years without fail, and that reason is that it’s pure brilliance.
Showstopper! The Improvised Musical is exactly what it says on the tin, a musical that is created new every night by audience input and the amazing, fast-thinking and uber talented cast. Every show is different and every show is a celebration of the amazing improv performers.
As part of her ongoing post-show Q&A series, on Wednesday 30 January 2019, Mates co-founder Terri Paddock joins improv masters of Showstopper! to celebrate 1000 brand-new musicals. Got any questions?
Today, we’ve already taken a few moments to remind ourselves of both the Top 10 News Stories and the Top 25 Mates’ Blogs on the website over the month of November. Finally, we’re looking backwards and forwards for our final list today. These are our current Top 15 Ticket Recommendations – broken down into five musicals, five plays and five ‘festive treats’ (in other words, the shows to book to have the Merriest of Christmases) – based on both best-sellers over the past month as well as our predictions on the hottest of upcoming openings…
Every week, a group of regular, dedicated, independent theatre bloggers gather together for intelligent discussion “from the audience’s perspective” about plays and musicals they’ve recently seen in London. Lively, informed and entertaining. My Theatre Mates is delighted to syndicate the (still) As Yet Unnamed London Theatre Podcast (AYULTP). Shows discussed (with timings) in this week’s podcast: Medea – Almeida Theatre …
I’ve known the Showstoppers for many years, both the company and its producers (James Seabright and Suzanna Rosenthal), and over that time, I’ve seen the show many times – or rather I’ve seen many shows care of the Showstoppers exactly one time each.
On one of those occasions, when the company was resident at the King’s Head, I was even a character in the show created.
This week I have been exploring the world of definitions in the arts, and the expectations we have when we choose one way of looking at an artform or particular aspect of the arts from another.
I work in theatre (with or without a 4th wall) and my understanding of the role of the audience is that it is the missing element which brings a performance alive – whether through its laughter or tears, or its direct interactions with the character. For me, without some form of interaction, the art is left the same as when it was on the page, or alone on a gallery wall.
You won’t see this show again, nor the other Showstoppers’ evenings I have loved in Edinburgh. If you weren’t there tonight you’ve missed a medley of Daily Mail headlines in the style of Fiddler on the Roof, a Mamma Mia finale, a Gypsy Kings’-style stamping love duet, a corgi chorus, Shakespeare rap, West Side Story rumble at the Cereal Cafe to a backing of “Snap Crackle and Pop”, and a moody Kurt Weill number. But don’t worry. Get down to the Apollo, shout a few suggestions at random, tweet some more dodgy suggestions in the interval, and watch your most feverish, late-night musical-theatre fantasies come true.
The West End will welcome a record number of new British musicals this autumn, thanks to the world’s first major season for an improvised musical. Showstopper! The Improvised Musical plays its first full West End run, for a limited 10-week engagement. Eighty brand new musicals will grace the stage of the Apollo Theatre, each created on the spot by incredible, multi award-winning musical comedy improvisers The Showstoppers. Audience suggestions are transformed instantly into all-singing, all-dancing shows with unpredictable and hilarious results.