London’s Jermyn Street Theatre has announced its first full season since reopening with the Footprints Festival earlier this year. The Encounters Season, which runs from mid-September to the end of the year, features some of the UK’s best-known stage names.
The National Theatre’s staging of Under Milk Wood is far from the first time Dylan Thomas’ poem has been adapted for the stage. It’s easy to see the temptation to perform a work so packed with characters, drifting through a strange, semi-mythical setting encountering one another.
Making Under Milk Wood a story within a story is a risk but one that pays off, adding a tender father-son connection that ties that multifaceted sprawl of Dylan Thomas’ story together.
Meanwhile, I want to start keeping track of the shows that are coming back, or are newly being announced, in a new feature here that will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
The National Theatre’s 2016 production of Les Blancs was directed by Yaël Farber and used the full resources of the Olivier stage to transmit its full force.
Lorraine Hansberry’s play Les Blancs is vividly and powerfully brought to life in Yaël Farber‘s atmospheric production.
New entries this week are The Invisible Hand at the Tricycle Theatre and The 3 Penny Opera at the Natonal, and its the last chance to see Les Blancs, The Flick and People, Places and Things
New entries this week are the return of Funny Girl, transferred from the Menier to the Savoy, and A Midsummer Night’s Dream at the Globe.
The night after opening in the West End, Daniel Evans Sheffield Crucible production of Show Boat shoots straight into the top slot of Mark Shenton’s regularly updated list of top ten ticket recommendations. What are the other risers and fallers. Follow links to book tickets.
New entries this week in Mark Shenton’s Top Ten recommendations are Les Blancs at the National and How the Other Half Loves in the West End. Get tickets for all ten shows here.
After re-visiting The Book of Mormon, it makes it into this week’s Top Ten; so does People, Places and Things, newly transferred from the National to the West End. Plus, this week’s openings and other recommendations.
There is a confused and apologetic air to the touring production of The Importance of Being Earnest that the efforts of some distinguished performers cannot overcome.
A GRAVE GRANDEUR, AN UNFORGOTTEN HORROR Hard to overstate the impact, the sense of event, commemoration and bleak grandeur in this extraordinary evening. There is, in this 70th anniversary of the liberation of Auschwitz, obvious solemnity in staging Arthur Miller’s … Continue reading →