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New post-show Q&A: Join Terri for the European premiere of Actually in the West End

In Interviews, London theatre, Native, Plays, Special Events, Sticky, Ticket recommendations by Terri PaddockLeave a Comment

As part of her ongoing post-show Q&A series, this Friday 9 August 2019, Mates co-founder Terri Paddock talks to Actually stars Yasmin Paige and Simon Manyonda. We’ve got plenty to talk about here with competing versions of the same night’s hook-up. Got any questions?

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PHOTOS: Behind the scenes with Yasmin Paige & Simon Manyonda Actually rehearsals

In Features, London theatre, Native, Photos, Plays, Special Events, Ticket recommendations by Press Releases

It’s nearly time for the European premiere of Actually, the new play by Photograph 51’s Anna Ziegler. Sneak a peek at what Yasmin Paige and Simon Manyonda have been getting up to in rehearsals ahead of the two-hander’s run at the West End’s Trafalgar Studios from 6 to 31 August 2019. Time to get booking!

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Five things you may not know about Glenda Jackson… now King Lear

In Features, London theatre, Opinion, Plays, Reviews by Johnny FoxLeave a Comment

I suppose what I’m driving at is that having swerved from the stage into a political career, my concern was how easily could she take up acting again? The astonishing thing about King Lear is that the answer is seamlessly: with power, and clarity, and complete command of the stage. Given how much acting has changed since 1980, this is astonishing and she deserves to be seen.

Five things you may not know about Glenda Jackson… now King Lear

In Features, London theatre, Opinion, Plays, Reviews by Johnny FoxLeave a Comment

I suppose what I’m driving at is that having swerved from the stage into a political career, my concern was how easily could she take up acting again? The astonishing thing about King Lear is that the answer is seamlessly: with power, and clarity, and complete command of the stage. Given how much acting has changed since 1980, this is astonishing and she deserves to be seen.

Five things you may not know about Glenda Jackson… now King Lear

In Features, London theatre, Opinion, Plays, Reviews by Johnny FoxLeave a Comment

I suppose what I’m driving at is that having swerved from the stage into a political career, my concern was how easily could she take up acting again? The astonishing thing about King Lear is that the answer is seamlessly: with power, and clarity, and complete command of the stage. Given how much acting has changed since 1980, this is astonishing and she deserves to be seen.