Churchill’s vision two decades ago in Far Away now seems even more prescient and accurate of planet Earth’s downhill spiral: endless wars and realignments, climate change, imminent environmental catastrophe.
Caryl Churchill wrote Far Away in 2000 and, 20 years on, it feels more current by the moment.
This well-focused revival of Caryl Churchill’s, brief dystopic classic Far Away is vivid but frankly unexceptional.
Can we ever really know what happened between two people behind closed doors? That’s the question at the heart of Anna Zeigler’s provocative new two-hander Actually, and one the company, audience and I grappled with after last week’s performance at Trafalgar Studios.
Anna Ziegler’s Actually is a journey into sexual consent, following a drunken hook up of two college students, and the different perspectives on their encounter.
Love London Love Culture rounds up the reviews for Oscar Toeman’s production of Anna Ziegler’s new play Actually.
Tom points out that the weight of evidence required for either of their stories to be believed could be “fifty percent plus a feather”. It’s a potent image that echoes throughout the play’s talky but engaging 90 minutes.
Yasmin Paige and Simon Manyonda exude “chemistry” in the “highly watchable” and the zeitgeisty European premiere of Anna Zeigler’s Actually, which is now running at the West End’s Trafalgar Studios until 31 August 2019. We’ve rounded up review highlights below – time to get booking!
Actually is a complex play that explores more than consent, it raises questions about attitudes towards sex and relationships, race, religion, upbringing and family.
Actually has its issues as a drama and the heavily discursive competing narratives approach limits how the play is staged that can feel repetitive at times, but Ziegler has created a scenario and two complicated people who feel credibly drawn.
Set against the backdrop of Princeton University, Actually provides a reminder that, even in the era of #MeToo and #TimesUp, there remain plenty of grey areas when it comes down to defining assault and determining consent.
We’re counting down to the official opening of the European premiere of Anna Zeigler’s Actually. Yasmin Paige and Simon Manyonda star in this provocative new play by the author of Photograph 51. Check out our gallery of first-look production photography – and then get booking!
As part of her ongoing post-show Q&A series, this Friday 9 August 2019, Mates co-founder Terri Paddock talks to Actually stars Yasmin Paige and Simon Manyonda. We’ve got plenty to talk about here with competing versions of the same night’s hook-up. Got any questions?
Onstage in Actually, Yasmin Paige and Simon Manyonda present different versions of the same event. Can they agree in this London Live interview about the play itself?! Watch their fascinating interview with presenter Helen Wadia – and then get booking! The European premiere of Anna Ziegler’s play starts previews tonight (6 August 2019) at the West End’s Trafalgar Studios, where it runs til 31 August.
It’s nearly time for the European premiere of Actually, the new play by Photograph 51’s Anna Ziegler. Sneak a peek at what Yasmin Paige and Simon Manyonda have been getting up to in rehearsals ahead of the two-hander’s run at the West End’s Trafalgar Studios from 6 to 31 August 2019. Time to get booking!
Yasmin Paige and Simon Manyonda star in the European premiere production of Actually, a new play by Photograph 51’s Anna Ziegler, which will run at the West End’s Trafalgar Studios from 6 to 31 August 2019, with a press night on Monday 12 August and a post-show Q&A chaired by Mate Terri Paddock on Friday 9 August.
Nicholas Hytner finally directs a play by a woman but Lucinda Coxon’s adaptation of novel Alys, Always is a disappointment for me at the Bridge Theatre.
Final casting details have been announced for the premiere of Lucinda Coxon’s Alys, Always, directed by Nicholas Hytner and based on the novel by Harriet Lane, starring Joanne Froggatt and Robert Glenister.
This is a stylish, yet thoroughly accessible, production that is full of energy and a joyous satirical thrust that never obscures the real human emotions at the story’s core. Let’s hope that this production is the first of many Restoration revivals.
Haydn Gwynne will be playing the role of Lady Wishfort at the Donmar Warehouse in James Macdonald’s new revival of William Congreve’s Restoration comedy The Way of The World, replacing Linda Bassett who has had to withdraw from the production.
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