Folk by Nell Leyshon tells the true story of Cecil Sharp, the musicologist and collector of English folk music at the turn of the 20th century who was responsible for kick starting the revival of interest in traditional songs.
Simon Russell Beale will play JS Bach in the world premiere of Nina Raine’s Bach & Sons, directed by Nicholas Hytner at the Bridge Theatre from 23 June to 9 September 2021 with opening night on 29 June 2021.
A Scrooge to remember, A Christmas Carol at the Bridge Theatre is a 90-minute familiar Victoriana for today, catching and passing on both Dickens’ fury and his unquenchable jollity.
Filled with a real love of Dickens’ words as well as his characters the Bridge Theatre has found a fresh and exciting way to tell the familiar tale of A Christmas Carol and give Scrooge’s redemption arc a renewed emphasis.
Simon Russell Beale, Patsy Ferran and Eben Figueiredo will play all the parts and share the storytelling in a new version of Charles Dickens’ A Christmas Carol, directed and devised by Nicholas Hytner at London’s Bridge Theatre.
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.
The performing arts have featured strongly in the latest Queen’s birthday honours, with Simon Russell Beale, Olivia Colman, Cush Jumbo, Sheila Atim, Alfie Boe and David Pountney all featuring in the list of recipients.
Notwithstanding its flawed message, in these times of unparalleled political polarisation The Lehman Trilogy will be lapped up by eager audiences. And for sheer technical theatrical genius, the play is in a class of its own.
Musicals Company and Come From Away top the Olivier Awards 2019 nominations with nine nods each, while The Inheritance is the most recognised play with eight nominations. The ceremony takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
Joe Hill-Gibbins’ of The Tragedy of King Richard the Second is inherently divisive, and the critics have obliged but, only three days into the year, it is very hard to imagine a more exciting or compelling Shakespeare coming along in 2019.
Simon Russell Beale and Leo Bill shine in Joe Hill-Gibbins’ perfectly reimagined The Tragedy of King Richard the Second at the Almeida Theatre.
Borrowing a technique from American long-form TV drama, The Tragedy of King Richard The Second begins in medias res. The wonderful Simon Russell Beale steps forward, ashen-faced, to deliver the “I have been studying how I may compare/This prison where I live unto the world” speech from Act 5.
The Tragedy of King Richard The Second is not stately, sacred, shockingly regicidal Shakespeareana. This is a brawl, a nasty coup against a hopeless king, a howl of rage at what fools, in power politics, these mortals be.
Currently my favourite partnership of Simon Russell Beale and Shakespeare is at work in The Tragedy of King Richard the Second (or Richard II if you prefer, and as the person typing this I very much do) at the Almeida.
The West End transfer of the National Theatre’s The Lehman Trilogy, directed by Sam Mendes, will play at the Piccadilly Theatre from 11 May 2019 for a 12-week season. Simon Russell Beale, Adam Godley and Ben Miles will reprise the roles they originated at the National.
News, reviews, interviews, commentary and farewells from London, New York and beyond, including The Stage Debut Awards, Sylvia at the Old Vic and regional openings in Chichester and Bristol.
Artistic director Rupert Goold has announced the Almeida Theatre’s new season.
Stefano Massini’s work about the origins of Lehman Brothers Bank is a domestic epic and a remarkable evening of theatre.
The financial crash of 2008 has much to answer for, I think. Top of the list? Brexit and President Trump. One thing it has yet to really produce though, for my money (pun intended), is any really great theatre. Or perhaps I should qualify that statement: no really great theatre in English.
Like America promises so much to Henry Lehman when he stands on the dock side, The Lehman Trilogy at the National Theatre promised so much as well.