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Siobhan McSweeney

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‘Possesses an up-to-the-minute urgency’: LIVING NEWSPAPER #3 – Royal Court Theatre (Online review)

In London theatre, Online shows, Opinion, Plays, Reviews by Ian Foster6th April 2021Leave a Comment

The third edition of Royal Court’s Living Newspaper moves online only, with some seriously fierce political writing this time around.

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‘A thought-provoking set of performances’: ONE HAND TIED BEHIND US – Old Vic (Online review)

In London theatre, Online shows, Opinion, Plays, Reviews by John Chapman8th March 2021Leave a Comment

Marking International Women’s Day, the Old Vic is streaming One Hand Tied Behind Us, a collection of short plays originally staged in 2018 to mark 100 years since women were given the right to vote.

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NEWS: The Old Vic announces 2 new commissions to mark International Women’s Day

In London theatre, Native, News, Online shows, Plays, Press Releases, Quotes by Press Releases25th February 2021

The Old Vic has announced two new commissions for International Women’s Day to be screened as part of the Your Old Vic programme. These One Voice monologues are written by Kiri Pritchard-McLean and Regina Taylor and will be broadcast on YouTube from 8 March 2021.

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‘It’s all so relentless and random’: PITY – Royal Court Theatre

In London theatre, Opinion, Plays, Reviews by Ian Foster23rd July 2018Leave a Comment

As strong as the cast is (Abraham Popoola and Siobhán McSweeney stand out), the hyperactive knowing style in which they deliver Pity also grates.

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‘A thrilling evening of impassioned insight & empathy’: ONE HAND TIED BEHIND US – Old Vic Theatre

In London theatre, Opinion, Plays, Reviews by Ian Foster14th March 2018Leave a Comment

A stirring and compelling evening of monologues exploring women’s rights – Maxine Peake curates One Hand Tied Behind Us at the Old Vic Theatre in London.

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THE ALCHEMIST- RSC, Barbican

In London theatre, Opinion, Plays, Reviews by Jonathan Baz16th September 2016Leave a Comment

First performed in 1610, Ben Jonson’s powerful and timeless satire of city life is presented here at its best, thanks to a flamboyant and utterly enjoyable RSC production.

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