What would you ask God if you had the chance? The team at God 2.0 want to know the answer and may even use it in their new show, which opens later this month. Book your tickets now.
‘How can I be a father, what with everything that’s happened?’ As Delivery comes to the Lion and Unicorn Theatre, leading man Alex Walton shares his thoughts on the play about a paratrooper preparing for parenthood. Watch what he has to say, then book your tickets.
“White hot”, “astute” and “superbly intense” – critics and theatre fans have had their say on the new production of Peter Hamilton’s darkly comic tale about a far-right group? Take a look at what they’ve been saying, then book your tickets!
What does a far-right enclave or a revived Viking state look like? Take a look at these production images from Danelaw to find out, then book your tickets!
Go undercover at a “whites-only homeland”… sort of. The cast and creatives of the new adaptation of Danelaw have taken to social media to give you a peek behind the scenes at what they’ve been creating, including a snippet of a scene! Take a look at our favourite tweets and insta posts, then book your tickets!
“Another corker”, “beautiful, warm and moving” – audiences have taken to social media to share their love of Crowded Room’s new play about facing up to death, The Colours. See what’s being said, then book your tickets!
Judith has a reason for dating married men. Robert is new to sexting. The Man observes in disgust. Meet the characters at the heart of Andrew Bruce-Lockhart’s new satire on society and social media, Letting Go, then book your tickets.
Think you’re alone on your morning commute? Think again. As Andrew Bruce-Lockhart’s new satire Letting Go shows, anyone one could be watching and plotting. Book your tickets now!
“Sharply observed”, “electric”, and “brilliant drama” – Take a look at what Twitter users are saying about the Andrew Lloyd Webber Foundation Bridge Company’s productions of The Sandman and What Was Left, then book your tickets for the final performances!
As they open at Southwark Playhouse check out these production images from Andrew Lloyd Webber Foundation Bridge Company’s new drama What Was Left and watch the cast of new musical The Sandman talk about the scary new show. Book your tickets now!
Reviewers are calling Michael Black’s new squat-set play Starved a “must see show”, while audiences have taken to Twitter to say they are “totally blown away”. We’ve rounded up some of the best responses – take a look then book your tickets!
What is Rejoicing at her Wondrous Vulva the Young Woman Applauded Herself about? The team behind the hotly anticipated new production at Ovalhouse explained, ran riot and gave a sneak preview as they took over the South London venue’s social media. Take a look at our favourite bits, then book your tickets!
“Wow, what an evening!” – Audiences in the Coventry have taken to social media to share their excitement about seeing the final performances of Wise Children. Take a look at what they had to say, then book your tickets before the show closes at the Belgrade Theatre this weekend!
There’s a consensus of opinion on Twitter – Killymuck and Box Clever, both playing at The Bunker, are brilliant and hit audiences right in the gut. See what’s being said on social media then book your tickets!
“Top performances”, “Beautiful work”, “Brilliant revival” – audiences have been taking to Twitter to share their love of the Rose Theatre Kingston and Theatre Royal Bath revival of Stones in his Pockets. Find out what they’ve been saying – including our thoughts too! – the book your tickets swiftly as there are only a handful of performances left!
Whereas Heisenberg celebrates taking a chance on love, even in one’s dotage, Beginning seems, sotto voce, to be saying something interesting about class.
First produced Off-Broadway in 1987, Eric Bogosian’s brilliant drama has finally been produced in London for the first time by Covent Garden Productions and the Old Red Lion Theatre.
Paying homage to Shakespeare’s genius but not slavishly binding themselves to it, Golem! sticks up two fingers at Shakespeare purists who, with quivering voices, clutch their pearls and gasp, “But the text!”
Exchange Theatre sets The Misanthrope in a contemporary newsroom full of gossip, affairs, backstabbing and cocaine-fueled all-nighters. Alceste loathes the way his colleagues behave, but fancies the flirtatious Celimene in spite of his prejudices.
Do social media and violence against women go hand in hand? Are we all rendered voyeurs or exhibitionists by the internet? Is the web the downfall of society?
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