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Soophia Foroughi

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‘How rare it is to see work from Middle Eastern writers’: BROKEN WINGS – Charing Cross Theatre

In London theatre, Musicals, Opinion, Other Recent Articles, Reviews by Ian Foster1st March 2022Leave a Comment

The music of Nadim Naaman and Dana Al Fardan’s Broken Wings remains strong, but the musical around it feels slightly disappointing at Charing Cross Theatre.

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‘Places the classic boy-meets-girl-but-can’t-have-her template in a new location’: BROKEN WINGS – Charing Cross Theatre

In Features, London theatre, Musicals, Opinion, Other Recent Articles, Plays, Reviews by Maryam Philpott26th February 2022Leave a Comment

In Nadim Naaman and Dana Al Fardan’s new musical Broken Wings, there are plenty of soaring melodies for lovers and just as many haunted and broken-hearted ballads for the less romantic.

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‘When You Believe has a choral majesty that is undeniable’: THE PRINCE OF EGYPT (Album review)

In Albums, London theatre, Musicals, Opinion, Reviews by Ian Foster11th April 2020Leave a Comment

There was a moment in the last couple of days as I listened to ‘Make It Right’ for the umpteenth time that I wondered whether I’d been a bit harsh to The Prince of Egypt when it opened in late February.

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‘Might be in need of a miracle’: THE PRINCE OF EGYPT – West End

In London theatre, Musicals, Opinion, Reviews by Ian Foster27th February 2020Leave a Comment

In The Prince Of Egypt highly committed cast does their best to ride out inconsistent production choices to deliver work that fills the Dominion well.

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‘I have fallen hard for its charms’: Album Review: Broken Wings

In Albums, London theatre, Opinion, Reviews by Ian Foster24th June 2018Leave a Comment

Written by Nadim Naaman and Dana Al Fardan, the concept album of new musical Broken Wings marks an ambitious debut and an impressive arrival.

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