Saoirse Ronan makes her UK stage debut in Yael Farber’s testosterone-fest, which is vivid, but much too long.
National Theatre and Sky Arts’ hybrid theatre and film production of Romeo & Juliet has been a fascinating experiment resulting in a smart, interesting and entirely collaborative piece of art.
Stephen Daldry has been nominated in the Best Director category for his staging of Matthew Lopez’s The Inheritance, originally at London’s Young Vic Theatre before its West End transfer to the Noel Coward Theatre. The Olivier Award-winning play which transferred to Broadway in November 2019 received 11 nominations.
This joyous and lively production, starring Tamsin Greig, is one of the best versions of Shakespeare’s comedy I’ve ever seen.
Three Sisters at the National Theatre, Uncle Vanya at the Harold Pinter and The Seagull at the Playhouse Theatre have all taken very different approaches to reworking Chekhov, bringing fresh insight and relevance to a writer whose plays have often felt rather dry.
James McAvoy triumphs in Martin Crimp’s magnificent makeover of the French classic Cyrano de Bergerac: a jaw-dropping success.
Reimagined for the modern stage with a contemporary cast led by James McAvoy, Jamie Lloyd’s production of Cyrano de Bergerac feels at every moment like theatre at its most exciting, liberating and inclusive.
In a production that is as much rally as world class musical, Jamie Lloyd transforms Evita into a commentary on recent times as well as a showcase of some of the finest performing talent to be found on both sides of the pond.
With plenty to say about the shallow foundations of political leaders hiding behind their PR machines, Jamie Lloyd’s triumphant Evita is raw, fresh and intense – “oh what a show!”
Betrayal is a real gem from the Pinter collection, benefiting from the minimalist design and slick direction of this production – Charlie Cox’s performance is a real highlight.
In just six months, Jamie Lloyd’s creative team and ever-changing company of actors has utterly transformed our perspective on Harold Pinter.
Tom Hiddleston is back! And in excellent form in Jamie Lloyd’s revelatory revival of the 1978 Pinter classic Betrayal.
Betrayal is everything you could hope for. The Pinter at the Pinter season has set a very high standard for itself, but what a swansong this has turned out to be.
The purpose of Jamie Lloyd’s still and contained approach is extremely well and atmospherically realised by a top-notch cast who bring such clarity to Pinter Six’s social commentary.
The collective works that make-up Pinter 5 feel as insightful and meaningful as any of the Pinter at the Pinter anthologies that have come before.
Pinter Two is a complete change of tone from its companion collection, moving from social politics to more familiar Pinter territory, relationship politics.
By emphasising the common themes in Pinter One and the topicality of their subject matter, this a very strong start for the Pinter at the Pinter season.
The Open Air Theatre has announced the programme for its 2018 summer season, under the continuing artistic directorship of Timothy Sheader. The headline productions are Peter Pan, As You Like It, Dinosaur World Live, Little Shop of Horrors, and The Turn of the Screw, a co-production with English National Opera.
Star director Yael Farber’s revival of a 1990s classic is surely atmospheric, but it lacks symbolic weight.
It is dark. An earth floor, plank stable door, murky pond. Sometimes a candle is lit, but Soutra Gilmour’s set remains tenebrous, primitive.
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