Inspired by the humour and spontaneity that comes from cold reading, Nassim Soleimanpour has developed what has become his trademark style of reflective, personal writing performed by an actor who knows nothing of the play.
This year sees the launch of a new playwriting competition, RED Women’s Theatre Awards. Co- produced by Edinburgh-based academic and playwright Effie Samara, Greenwich Theatre and Female Arts, the awards are “aimed at anyone who identifies as female who has an inspirational, questioning and challenging social and political voice.” There are three regional heats in […]
Dominic Cavendish thinks this year’s theatre lacks relevance to current affairs. He’s probably been working under a commercial and subsidized theatre-shaped rock (as mainstream critics are prone to), citing Anders Lustgarten’s Lampedusa as, “number one in a field of one” where, “nothing stood out as ‘the’ play for today.” Matt Trueman defends theatre’s ability to […]
It’s panto season, and our stages are filled with villains, heroes and dames. Playwright David Bottomley’s new work-in-progress has some passing resemblance to the characters in Britain’s traditional seasonal offerings, but his new play on the London housing crisis is darker, angering fare. Capturing its victims’ lack of power and its perpetuators’ greed, Skyline doesn’t offer a solution but still states a clear opinion on the issue.